Beethoven Pastoral Symphony - Gramophone Collection

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  • hmvman
    Full Member
    • Mar 2007
    • 1112

    #46
    I have a very soft spot for William Steinberg conducting the Pittsburgh Symphony. The MfP LP was what got me into classical music 50 years ago so it's very special to me. I bought the VPO/Böhm recording because it was a Penguin Guide recommendation but I didn't really warm to it. I should dig that LP out again and give it another go.

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    • Bryn
      Banned
      • Mar 2007
      • 24688

      #47
      Originally posted by hmvman View Post
      I have a very soft spot for William Steinberg conducting the Pittsburgh Symphony. The MfP LP was what got me into classical music 50 years ago so it's very special to me. I bought the VPO/Böhm recording because it was a Penguin Guide recommendation but I didn't really warm to it. I should dig that LP out again and give it another go.
      Did that, like their 9th, use Mahler's reorchestration?

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      • hmvman
        Full Member
        • Mar 2007
        • 1112

        #48
        Originally posted by Bryn View Post

        Did that, like their 9th, use Mahler's reorchestration?
        I don't know, Bryn. I'll have to have a look at the LP and see if it's mentioned. An interesting point!

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        • hmvman
          Full Member
          • Mar 2007
          • 1112

          #49
          Just checked the LP and no mention of Mahler orchestration. According to this article the 9th was a special case:

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          • richardfinegold
            Full Member
            • Sep 2012
            • 7684

            #50
            Originally posted by Barbirollians View Post

            Can you tell us the source of this ? It seems to be rather inconsistent with Walter’s criticism of musicians like Menuhin forgiving Furtwangler? And that reportedly he had said he converted to Christianity as the only way he could get a job.
            I’ve seen it in more than one place. One was Fanfare Magazine, possibly in a review by James Altena, who is a Walter expert who has contributed both written liner notes and actual tapes of unissued live performances used for recent issues of Walter concerts. I think you need a digital subscription to Fanfare to have unfettered access to their archives

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            • smittims
              Full Member
              • Aug 2022
              • 4221

              #51
              The S.John Passion is sometimes felt to be hard on 'the Jews', as he calls them. Otto Klemperer pointed this out to the members of the Berlin choir he rehearsed for a performance shortly before the Nazi takeover, as Peter Heyworth records in his biography.

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              • Bryn
                Banned
                • Mar 2007
                • 24688

                #52
                Originally posted by smittims View Post
                The S.John Passion is sometimes felt to be hard on 'the Jews', as he calls them. Otto Klemperer pointed this out to the members of the Berlin choir he rehearsed for a performance shortly before the Nazi takeover, as Peter Heyworth records in his biography.
                Should we perform music that reflects morally abhorrent ideas? Should aesthetic pleasure outweigh prejudice? These questions are at the heart of two new books. Michael talks to husband and wife Michael Marissen, author of Bach and God, and Lauren Belfer, author of And After the Fire.

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                • smittims
                  Full Member
                  • Aug 2022
                  • 4221

                  #53
                  Thanks , Bryn. I think the subject has been aired on another thread too. Maybe works of visual art , plays and poems and novels , will come into consideration too. Many 19th-century novels contain remarks which would be considered anti-semitic or otherwise racist . I can;t help thinking that its alike retrospective legislation to blame someome, or 'cancel' their work for what wouldn't have been disapproved or illegal at the time. It'sa large and contentious subject, even including Enid Blyton's children's books

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                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11713

                    #54
                    Originally posted by richardfinegold View Post

                    When he conducted the Columbia Symphony in the early 1950s, Walter was recording one of the Bach Passions. Many of the Jewish players walked out over what they felt to be excessively anti semitic comments. Apparently as a convert, Walter was a true believer
                    Not doubting you have read this somewhere but looking at the big complete Bruno Walter Columbia box there are no Bach recordings in it .

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