Unfashionable records that you love

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  • Petrushka
    Full Member
    • Nov 2010
    • 12373

    #16
    Originally posted by hafod View Post
    Which prompts mention of the famous (infamous?) Mackerras version which apparently assembled almost every horn, trumpet, oboe, and bassoon player in London late one night in April 1959. I still greatly enjoy it.
    EMI did a re-make of that recording in 1977 with Mackerras and the LSO augmented for the occasion by a whole host of famous names most of whom, alas, are no longer with us. I have it on LP but not sure if it ever made it to CD.
    "The sound is the handwriting of the conductor" - Bernard Haitink

    Comment

    • makropulos
      Full Member
      • Nov 2010
      • 1685

      #17
      Originally posted by Petrushka View Post
      EMI did a re-make of that recording in 1977 with Mackerras and the LSO augmented for the occasion by a whole host of famous names most of whom, alas, are no longer with us. I have it on LP but not sure if it ever made it to CD.
      The LSO remake did come out on CD, on the HMV shop's own label. Copies here from 1p upwards, which surely has to be worth the price of a stamp...


      But it's not quite as wonderful as the original Pye (later Testament) version:


      which is one of my all-time favourite records. Is it unfashionable now? If so, I don't care - I love it.

      Very much share the enthusiasm for Bernstein's VPO Mozart and Haydn too. Wonderful.

      And I say all this as someone who is extremely sympathetic to good HIPP performances. But these issues become an irrelevance in the face of that kind of energy and quality.

      Comment

      • MickyD
        Full Member
        • Nov 2010
        • 4861

        #18
        Interestingly, Robert King also assembled similar jumbo-size period forces for a recording of the Fireworks Music for Hyperion - can't say that I've heard it, I wonder if it is worth a listen?

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        • Alison
          Full Member
          • Nov 2010
          • 6487

          #19
          Georg Solti's Chicago account of Handels Messiah.

          Surprisingly moving and spiritual. Thanks to Petrushka for the introduction.

          Comment

          • Zucchini
            Guest
            • Nov 2010
            • 917

            #20
            So far and predictably, this is another cardigans & cocoas list of dead people. Can't a performer be unfashionable and still alive?

            Comment

            • teamsaint
              Full Member
              • Nov 2010
              • 25238

              #21
              Originally posted by Zucchini View Post
              So far and predictably, this is another cardigans & cocoas list of dead people. Can't a performer be unfashionable and still alive?
              these are all unfashionably late.......
              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

              I am not a number, I am a free man.

              Comment

              • richardfinegold
                Full Member
                • Sep 2012
                • 7793

                #22
                Do Alfred Deller recordings count as unfashionable?

                Comment

                • Roehre

                  #23
                  Originally posted by richardfinegold View Post
                  Do Alfred Deller recordings count as unfashionable?
                  Not to my ears (the same applies to the Leppard and Marriner recordings, BBM #12)

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    #24
                    Originally posted by Zucchini View Post
                    So far and predictably, this is another cardigans & cocoas list of dead people. Can't a performer be unfashionable and still alive?
                    Michala Petri and Julian Bream could be seen as unfashionable but who cares?

                    Comment

                    • Tony Halstead
                      Full Member
                      • Nov 2010
                      • 1717

                      #25
                      Originally posted by teamsaint View Post
                      these are all unfashionably late.......
                      Can't a performer be unfashionable and still alive?
                      1) Raymond Leppard
                      2) Sir Neville Marriner
                      in alphabetical order of course

                      Comment

                      • Petrushka
                        Full Member
                        • Nov 2010
                        • 12373

                        #26
                        Originally posted by Alison View Post
                        Georg Solti's Chicago account of Handels Messiah.

                        Surprisingly moving and spiritual. Thanks to Petrushka for the introduction.
                        I was on the verge of mentioning this one myself, Alison. The singing of the Chicago Symphony Chorus is truly superb. An intensely moving account of a familiar score that deserves to be far better known than it is. Those who expect a hard driven approach from Solti couldn't be more wrong.
                        "The sound is the handwriting of the conductor" - Bernard Haitink

                        Comment

                        • Pulcinella
                          Host
                          • Feb 2014
                          • 11186

                          #27
                          I have a sneaking admiration for the Bernstein BBCSO Enigma with the very slow Nimrod, if only because he had to cope with some appalling behaviour from the orchestra.

                          Comment

                          • MrGongGong
                            Full Member
                            • Nov 2010
                            • 18357

                            #28
                            Originally posted by Pulcinella View Post
                            I have a sneaking admiration for the Bernstein BBCSO Enigma with the very slow Nimrod, if only because he had to cope with some appalling behaviour from the orchestra.
                            Well that's one way of putting it

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7845

                              #29
                              Originally posted by Pulcinella View Post
                              I have a sneaking admiration for the Bernstein BBCSO Enigma with the very slow Nimrod, if only because he had to cope with some appalling behaviour from the orchestra.
                              Mmm... I don't think Bernstein was entirely blameless. He was very late and it seemed he had 'dined well...'

                              Comment

                              • EdgeleyRob
                                Guest
                                • Nov 2010
                                • 12180

                                #30
                                The Amadeus Quartet.

                                Those DG complete Beethoven and Mozart boxes,plus some Shubert (the Quintet too) and Haydn,have been part of my life for many years.
                                They always seem to be dismissed as old fashioned,but I love them.

                                Comment

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