Originally posted by Tony
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BaL 9.04.11 - Beethoven: Violin Concerto
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Well it would not be the Janine Jansens for me . I was very impressed by her Brahms and Bartok coupling and the classic Mendelssohn/Bruch 1 coupling with Chailly is also very fine .
I struggled with this though - not really due to JJ but the accompaniment - far too brusque and perfunctory for my taste . I do not want images of invading armies to come to mind whenever the timpani plays as here ! HIPP is one thing but this just strikes me as unmusical .
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Originally posted by Barbirollians View PostWell it would not be the Janine Jansens for me . I was very impressed by her Brahms and Bartok coupling and the classic Mendelssohn/Bruch 1 coupling with Chailly is also very fine .
I struggled with this though - not really due to JJ but the accompaniment - far too brusque and perfunctory for my taste . I do not want images of invading armies to come to mind whenever the timpani plays as here ! HIPP is one thing but this just strikes me as unmusical .
The only other one in my collection is the 1944 Furtwangler led version with the then BPO Concertmaster
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Originally posted by mikealdren View PostAfter all these years, I've just bought the Suk and I'm a bit disappointed, it's really not the slow speed, it just feels stodgy and the tempo is a bit unstable at times in the last movement. I'll give it another go but I think it's not for me
Mike
The contribution of the Conductor in this piece is critical. It has to sound like a Symphonic work by Beethoven that happens to feature a prominent Violin part, rather than a vehicle for a star soloist with an Orchestral part that has been phoned in. The Suk with Sir Adrian doesn't sound like that, but it is a bit on the slow side, more like Klemperer's Beethoven than Szell
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Originally posted by Beef Oven! View PostThis BaL might help me with a work that has completely eluded me since day one. Fingers crossed.
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Originally posted by richardfinegold View PostWhich Suk? I think there were 3 in the original listing.
The contribution of the Conductor in this piece is critical. It has to sound like a Symphonic work by Beethoven that happens to feature a prominent Violin part, rather than a vehicle for a star soloist with an Orchestral part that has been phoned in. The Suk with Sir Adrian doesn't sound like that, but it is a bit on the slow side, more like Klemperer's Beethoven than Szell
Mike
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