Originally posted by amateur51
View Post
Walton: Symphony No. 1 / Violin Concerto (Edward Gardner / Chandos)
Collapse
X
-
I've just listened to Gardner (right through) and then to Previn (ditto) - and gone back to selected sections of both of them. IMUO - and despite punting Gardner in the first place - Bryn and Petrushka are right: Previn - 4; Gardner - 0. I agree with Ams that it's probably not fair to judge new performances on the basis that, "well, it's not Previn, is it", but the Previn simply sweeps all before it. The sound is more than acceptable and, as Petrushka says, suits the performance. If I want to hear the work in good modern sound, I'll listen to Gardener but, if I want to be thrilled by it, it has to be Previn.
Comment
-
-
Originally posted by amateur51 View Post
Comment
-
-
Originally posted by HighlandDougie View PostI've just listened to Gardner (right through) and then to Previn (ditto) - and gone back to selected sections of both of them. IMUO - and despite punting Gardner in the first place - Bryn and Petrushka are right: Previn - 4; Gardner - 0. I agree with Ams that it's probably not fair to judge new performances on the basis that, "well, it's not Previn, is it", but the Previn simply sweeps all before it. The sound is more than acceptable and, as Petrushka says, suits the performance. If I want to hear the work in good modern sound, I'll listen to Gardener but, if I want to be thrilled by it, it has to be Previn.
My mind is racing as to what IMUO might mean. In My Unapologetic Opinion? Untenable? Unassailable? Unashamed?
Do tell"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
A timely thread, as I've only just got round to listening to the BaL podcast where Previn was the library choice (even though all the way through it sounded like Litton was going to be). Another work I don't own, but I found it a compelling listen. I wasn't expecting such passion from an Englishman.It loved to happen. -- Marcus Aurelius
Comment
-
-
Originally posted by Petrushka View PostVeering totally off topic, I was present at that performance of the , one of the very first Proms I attended, and still find it a thrilling performance.
Perhaps athe kindly host who began this thread could dispatch these OT musings to a new thread on said symphony, as I know he also struggles with Shosta 4.It loved to happen. -- Marcus Aurelius
Comment
-
-
Originally posted by HighlandDougie View PostI've just listened to Gardner (right through) and then to Previn (ditto) - and gone back to selected sections of both of them. IMUO - and despite punting Gardner in the first place - Bryn and Petrushka are right: Previn - 4; Gardner - 0. I agree with Ams that it's probably not fair to judge new performances on the basis that, "well, it's not Previn, is it", but the Previn simply sweeps all before it.
Comment
-
-
Originally posted by akiralx View PostI've never really rated the Previn
just another fine old recording that was the best of its day but has since been surpassed
what I want to know is this new recording better than Simon Rattle's?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
slarty
I'm still with Previn. However -
There is a good live performance on the Chicago Symphony website -http://csosoundsandstories.org/category/cso-radio/
scroll down until you see the Bychkov conducts Walton & Prokofiev. It is very good.
I still love the old scratchy live performance with Karajan and the RAI orchestra from 1953 which was issued on GCOC.
Comment
-
Originally posted by slarty View Post
I still love the old scratchy live performance with Karajan and the RAI orchestra from 1953 which was issued on GCOC.
Still, he certainly knew his way around Honegger's 2nd and 3rd Symphonies.
Comment
-
Comment