Originally posted by kea
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Missing period instrument Haydn symphonies.
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Quatuor Turner has also recorded Op. 18—I think that's period instruments as well. Only know it because my library has a copy.
Originally posted by rkyburz View PostDon't miss out on the Chiaroscuro's op.95!
Still... I realise Beethoven's quartets are not easy to play but a PI recording of the late quartets, in particular, would be an insta-buy for me. I suppose this is off topic, it's just come to mind because of all the HIP and HIP-influenced Schubert I've come across lately (including at least 3 PI recordings of the Quintet—one might think a group that could tackle the Quintet would have no trouble with Op. 131, but apparently not?)
As for the Haydn symphonies... I'm a bit surprised since both Russell Davies & Fischer are pretty recent integral recordings, as I imagine Fey's ongoing set is also intended to be. So the money to record a complete Haydn set seems to be there, unless period instrument recordings are significantly more expensive to make than modern ones. (Which is a real possibility given the costs of reproductions and the risk of damaging older instruments I suppose.)
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So is it the general party line that:
is worth acquiring, especially at this price? While not exactly short of Haydn symphony recordings (Scherchen through to Freiburg via Jochum, Pinnock, Brüggen, Kuijken, Minkowski etc), I'm attracted by there being some symphonies in this box which I don't otherwise have on CD.
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Roehre
Originally posted by Bryn View PostThere has been a number of attempts at recording complete surveys of the Haydn symphonies using period instrument and instrumental techniques. Not only has none as yet been completed, there remain no period recordings at all of Nos. 79 and 81 as far as I can see. There is also but one of No. 80.
What is it about these symphonies that is holding the HIPPsters back? Must they remain available only in the distorted sound of versions with modern beefed up instruments?
I cannot imagine any reason why these works especially should be singled out.
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Originally posted by Pegleg View PostHave there been any examples of crowdsourcing in the musical world? I'd be happy to donate a tenner to allow Hogwood to finish the job. Any ideas what the total funds needed might run to?
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Originally posted by cloughie View PostWith the profits these big boys have made from members of these boards over the years they shouldn't need sweeteners!
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Originally posted by Tony View PostHmm... you say 'profits' BUT the sorry tale of the unfinished AAM/ Hogwood/ Haydn Symphony series is inextricably bound up with the fact that it took Decca 10 'volumes' and 75 symphonies to realise that Haydn isn't /wasn't a 'box-office' composer ( and I speak as an ex-AAM player who was extremely sorry to see the project grind to a halt, the stated reason being that there were absolutely no profits to be had, since the CD sets were apparently selling in only miniscule quantities).
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Originally posted by Pegleg View PostHave there been any examples of crowdsourcing in the musical world? I'd be happy to donate a tenner to allow Hogwood to finish the job. Any ideas what the total funds needed might run to?
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Originally posted by richardfinegold View PostI like the crowdsourcing idea. It could represent a model for making recordings in the future. The problem would be getting all the classical music diaspora to support it. perhaps if enough of a push was made in East Asia this could work.
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