Top Ten Symphonies

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  • Suffolkcoastal
    Full Member
    • Nov 2010
    • 3292

    #61
    If I must then Eine Alpensinfonie here's my 100 at the moment.

    Arnold 5 & 7
    Barber 1 & 2
    Bax 2, 3 & 6
    Beethoven 3, 7, 8, 9
    Bernstein 1
    Borodin 2
    Brahms 1
    Bruckner 5, 7 & 9
    Copland 2 & 3
    Corigliano 1
    Diamond 2,3 & 4
    Dvorak 6, 7 & 9
    Elgar 1 & 2 & Elgar/Payne 3
    Glazunov 1 & 7
    Hanson 2 & 4
    R Harris 3, 5, 6, 7, 9 & 11
    F J Haydn 88 & 102
    Hindemith Mathis der Maler
    Holmboe 8 & 11
    Holst Choral Symphony
    Honegger 3
    Hovhaness 50
    Kalliwoda 3
    Kozeluch 3
    Koppel 4
    L Kozeluch Symphony in G minor
    Lilburn 2
    Martinu 1 & 3
    Mendelssohn 3
    Mennin 5 & 9
    Miaskovsky 17 & 22
    Moeran Symphony in G minor
    Nielsen 5
    Parry 3 & 4
    Piston 2, 4 & 6
    Popov 1
    Prokofiev 5 & 6
    Rachmaninov 2
    Rubbra 6 & 8
    Schubert 9
    W Schuman 3, 5 & 9
    Schumann 2
    Shostakovich 4, 8 & 15
    Sibelius 3, 4 & 6
    R Simpson 4 & 9
    Stanford 4
    Stravinsky Symphony in 3 movements
    Tchaikovsky 2, 3 & 6
    Tippett 2
    Tubin 4 & 7
    Vaughan Williams 2, 3, 4, 5, 6 & 9
    Walton 1

    That took some thought, but there is a 'core' of about 80 that will probably always be there. With about 1,750 symphonies in my collection I suppose you could say I'm something of a symphony freak. The symphony, its development, the different solutions each composer brings to symphonic form and how they apply their own style and individuality to the form is totally fascinating!

    Comment

    • EdgeleyRob
      Guest
      • Nov 2010
      • 12180

      #62
      Originally posted by amateur51 View Post
      What next?

      Bags me first go at "What's Your Favourite Sandwich?"

      Really it couldn't be much dafter, could it?

      Could it?
      Corned beef and branston pickle

      Comment

      • antongould
        Full Member
        • Nov 2010
        • 8833

        #63
        [Suffolkcoastal
        The symphony, its development, the different solutions each composer brings to symphonic form and how they apply their own style and individuality to the form is totally fascinating![/QUOTE]

        Well my thanks at least to you and Eine Alpensinphonie for taking the time and trouble to make your centuries. The main reason I started the thread was not to find the top of the pops but to open new vistas. Your original 10 has already brought me Mr. Harris who I find a real, to me previously hidden, master.

        Comment

        • salymap
          Late member
          • Nov 2010
          • 5969

          #64
          I suppose the 10 favourite overtures doesn't carry the same weight but I'm very fond of them. One of each composer and something new if possible. Any takers ?

          Comment

          • antongould
            Full Member
            • Nov 2010
            • 8833

            #65
            You'll get into trouble from some but I'm game I will away and ponder!

            Comment

            • antongould
              Full Member
              • Nov 2010
              • 8833

              #66
              Overtures sadly nothing new and terribly predictable

              Beethoven Leonore
              Elgar Cockaigne
              Glinka Ruslan and Ludmilla
              Mendelssohn Hebrides
              Rossini Thieving Magpie
              Schumann Manfred
              Suppe Light Cavalry
              Tchaikovsky 1812
              Von Reznicek Donna Diana
              Wagner Rienzi

              Comment

              • salymap
                Late member
                • Nov 2010
                • 5969

                #67
                Overtures then Anton. Harder than I thought

                Arnold Beckus the Dandipratt
                Balakirev Overture on 3 Russian Themes
                Berlioz King Lear
                Dvorak In Nature's Realm
                Elgar Froissart
                Ireland London Overture
                Mendelssohn Fair Melusine
                Mozart Magic Flute
                Sullivan Patience
                Wagner Das Liebesverbot

                Comment

                • antongould
                  Full Member
                  • Nov 2010
                  • 8833

                  #68
                  As they say "like two peas in a pod"!

                  Comment

                  • salymap
                    Late member
                    • Nov 2010
                    • 5969

                    #69
                    Err do you think you/we should have started a new thread? No-one will know it's now OVERTURES.]

                    Comment

                    • antongould
                      Full Member
                      • Nov 2010
                      • 8833

                      #70
                      Yes I think you should then we can both re-post if we can work out how!

                      Comment

                      • Suffolkcoastal
                        Full Member
                        • Nov 2010
                        • 3292

                        #71
                        I'm glad to have introduced Harris to you Anton. Harris is a special interest of mine and I have a large proportion of his output in recordings including over 25 works that have never been commercially recorded. I just realised that I left Rautavaara's 3rd & 5th symphonies out of my 100, I knew it would be a difficult task! I agree that looking at what other mb's listen to and enjoy can highlight composers that one has never heard of before and/or never got round to trying and can inspire one to try them out. I'm currently in the process, over a few weeks, of downloading from itune the symphonies of the Swiss composer Hans Huber and yesterday was listening to the two symphonies of Ludvig Norman, the first (1858) of which seemed to occasionally foreshadow Elgar, though I think the influence of Schumann is the connecting factor here.

                        Top 10 overtures will need some thought. Top 10 concertos anyone?

                        Comment

                        • Dave2002
                          Full Member
                          • Dec 2010
                          • 18035

                          #72
                          Concertos!

                          Mozart piano 24
                          Beethoven violin
                          Brahms violin
                          Mendelssohn violin
                          Sibelius violin
                          Bartok violin no 2
                          Prokofiev piano 1
                          Tippett piano
                          Elgar cello
                          Dvorak cello

                          Probably need to copy to another thread.

                          As with the others, tomorrow the numbers at least might change.

                          Comment

                          • Dave2002
                            Full Member
                            • Dec 2010
                            • 18035

                            #73
                            PS: Since couldn't scroll down with my iPad, could sneak in Nielsen with his flute concerto, or Rodrigo, also with a flute concerto - but that would have to wait for tomorrow.

                            Comment

                            • Dave2002
                              Full Member
                              • Dec 2010
                              • 18035

                              #74
                              PPS: Would Mozart's Sinfonia Concertante count? Also Brahms double and Beethoven triple, and Bach double violin concerto, and I guess Harold in Italy too!
                              What about Lalo Symphonie Espagnole - where would that go?

                              Comment

                              • Petrushka
                                Full Member
                                • Nov 2010
                                • 12309

                                #75
                                Top 10 Overtures

                                Why don't we get these as often in concert programmes as we once did? They are all superb openers.

                                Wagner: Die Meistersinger
                                Strauss: Die Fledermaus
                                Mendelssohn: A Midsummer Night's Dream
                                Herold: Zampa
                                Suppe: Light Cavalry
                                Rossini: William Tell
                                Glinka: Ruslan and Ludmilla
                                Berlioz: The Corsair
                                Shostakovich: Festive Overture
                                Borodin: Prince Igor
                                "The sound is the handwriting of the conductor" - Bernard Haitink

                                Comment

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