Afternoon Concert, British music

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  • Beef Oven!
    Ex-member
    • Sep 2013
    • 18147

    #61
    Originally posted by doversoul1 View Post
    Ask him about English music

    Comment

    • vinteuil
      Full Member
      • Nov 2010
      • 12816

      #62
      Originally posted by Beef Oven! View Post

      I live in a world where I believe in the best of human nature



      ... ffotherington-Thomas lives!



      Originally posted by Beef Oven! View Post
      I believe everyone loves football.

      ... In which case you're a sadly deluded fella

      Comment

      • Beef Oven!
        Ex-member
        • Sep 2013
        • 18147

        #63
        Originally posted by vinteuil View Post
        you're a sadly deluded fella
        That is such a coincidence. In a completely different connection, someone said that to me earlier today at the breakfast table.

        Comment

        • ahinton
          Full Member
          • Nov 2010
          • 16122

          #64
          Originally posted by Beef Oven! View Post
          I don’t trust people who don’t like football.

          There’s something not human about people who don’t like football.

          I live in a world where I believe in the best of human nature and I believe everyone loves football.
          Good to read your endorsement of that fabulous Bridge Trio; the earlier and, for some, more approachable Phantaisie Trio in C minor is well worth a listen as well (although there's also an earlier one again but I know nbothing about it other than its existance and that the composer was around 20 when he wrote it).

          But I'm so sorry not to have your trust and that you believe me to be lacking in humanity!

          Elliott Carter once likened the first movement of his Symphonia; sum fluxæ pretium spei to a soccer match (he didn't use the term "football" and, much as I admire it - the piece, that is - I can't see the resemblance meself)...

          Comment

          • Stanfordian
            Full Member
            • Dec 2010
            • 9311

            #65
            On the subject of Frank Bridge I think his 'Phantasie' Piano Trio winner of the 1907 Cobbett Competition for Phantasy Piano Trio is a rather neglected masterwork.

            Comment

            • EdgeleyRob
              Guest
              • Nov 2010
              • 12180

              #66
              Originally posted by Stanfordian View Post
              On the subject of Frank Bridge I think his 'Phantasie' Piano Trio winner of the 1907 Cobbett Competition for Phantasy Piano Trio is a rather neglected masterwork.
              Yes indeed Stan.

              Comment

              • EdgeleyRob
                Guest
                • Nov 2010
                • 12180

                #67
                Originally posted by ahinton View Post
                Good to read your endorsement of that fabulous Bridge Trio; the earlier and, for some, more approachable Phantaisie Trio in C minor is well worth a listen as well (although there's also an earlier one again but I know nbothing about it other than its existance and that the composer was around 20 when he wrote it).

                But I'm so sorry not to have your trust and that you believe me to be lacking in humanity!

                Elliott Carter once likened the first movement of his Symphonia; sum fluxæ pretium spei to a soccer match (he didn't use the term "football" and, much as I admire it - the piece, that is - I can't see the resemblance meself)...
                Yes ahinton,the first trio is Bridge's Op 1 (or H1).
                Annoyingly it is on you tube but not available when I try to listen.

                Comment

                • ahinton
                  Full Member
                  • Nov 2010
                  • 16122

                  #68
                  Originally posted by Stanfordian View Post
                  On the subject of Frank Bridge I think his 'Phantasie' Piano Trio winner of the 1907 Cobbett Competition for Phantasy Piano Trio is a rather neglected masterwork.
                  Not sure how neglected it is but I do agree that it is a wonderful thing! I would imagine that most piano trios would want to include it in their repertoires.

                  Comment

                  • Serial_Apologist
                    Full Member
                    • Dec 2010
                    • 37680

                    #69
                    Originally posted by Stanfordian View Post
                    On the subject of Frank Bridge I think his 'Phantasie' Piano Trio winner of the 1907 Cobbett Competition for Phantasy Piano Trio is a rather neglected masterwork.
                    I always hear a very strong Faure influence on that piece. In fact, I heard it before I'd ever heard any Faure (except possibly the famous "Pelleas et Melisande" suite), and when I did so, put those singularly Faureian harmonies down to Bridge!

                    Comment

                    • ahinton
                      Full Member
                      • Nov 2010
                      • 16122

                      #70
                      Originally posted by Serial_Apologist View Post
                      I always hear a very strong Faure influence on that piece. In fact, I heard it before I'd ever heard any Faure (except possibly the famous "Pelleas et Melisande" suite), and when I did so, put those singularly Faureian harmonies down to Bridge!
                      Absolutely right, but that influence never quite left Bridge, I think (and of course he'd played viola in a performance of Fauré's first piano quartet that happens to be in the same key as his own Phantaisie trio); it's a potent one that I somehow suspect that Fauré himself might never have thought it possible to credit...

                      Comment

                      • Stanfordian
                        Full Member
                        • Dec 2010
                        • 9311

                        #71
                        Originally posted by ahinton View Post
                        Not sure how neglected it is but I do agree that it is a wonderful thing! I would imagine that most piano trios would want to include it in their repertoires.
                        I doubt the recital rooms are hardly brimming over with performances of this work. I've never seen it programmed but your experience may be different. It's certainly neglected in Europe where I never the see the Bridge chamber works programmed.
                        Last edited by Stanfordian; 16-11-16, 08:58.

                        Comment

                        • ahinton
                          Full Member
                          • Nov 2010
                          • 16122

                          #72
                          Originally posted by Stanfordian View Post
                          I doubt the recital rooms are hardly brimming over with performances of this work are they? I've never seen it programmed but your experience may be different. It's certainly neglected in Europe.
                          It's certainly less widely performed than one might expect, given how attractive a work it is, but there are several ensembles that have it in their repertoires.

                          Does anyone here know anything about Bridge's early D minor trio?

                          Comment

                          • Nick Armstrong
                            Host
                            • Nov 2010
                            • 26534

                            #73
                            What a pleasant serendipity this afternoon, cycling round the neighbourhood with Sterndale Bennett's first piano concerto in the ears on Afternoon on 3, to come upon this:









                            (Queensborough Terrace, incidentally, in case anyone wants to make a pilgrimage).

                            .

                            And then Parry's "English" Symphony made an amiable sub-Mendelssohnian soundtrack to a cycle round Hyde Park and Kensington Gardens on a breezy, sunny, mild November afternoon....
                            "...the isle is full of noises,
                            Sounds and sweet airs, that give delight and hurt not.
                            Sometimes a thousand twangling instruments
                            Will hum about mine ears, and sometime voices..."

                            Comment

                            • Serial_Apologist
                              Full Member
                              • Dec 2010
                              • 37680

                              #74
                              Originally posted by Caliban View Post




                              (Queensborough Terrace, incidentally, in case anyone wants to make a pilgrimage).

                              .

                              I might just take up that suggestion, Cali - I often pay visits to Cheyney Walk to pay my respects to the Vaughan Williams plaque. I haven't yet been to the impressive Regency terrace off Regent's Park to see if there's another one there - it being where RVW lived his final years.

                              By the way, am I right in thinking Queensborough Terrace to the the one which has an artificial frontage consistent with the remainder, built to conceal the District/Circle Line which passes underneath at that point?

                              Comment

                              • Nick Armstrong
                                Host
                                • Nov 2010
                                • 26534

                                #75
                                Originally posted by Serial_Apologist View Post
                                By the way, am I right in thinking Queensborough Terrace to the the one which has an artificial frontage consistent with the remainder, built to conceal the District/Circle Line which passes underneath at that point?
                                Close - that's a couple of streets to the east, in Leinster Terrace.
                                "...the isle is full of noises,
                                Sounds and sweet airs, that give delight and hurt not.
                                Sometimes a thousand twangling instruments
                                Will hum about mine ears, and sometime voices..."

                                Comment

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