Afternoon Concert, British music

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  • teamsaint
    Full Member
    • Nov 2010
    • 25209

    #76
    there's an Elgar plaque in downmarket West Kensington, in Avonmore Road that I happened upon.

    good luck cycling down the A4 to have a gleg though......

    wouldn't it be lovely if somebody could spot a Byron Blue Plaque on the Sterndale Bennett Hotel.....
    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

    I am not a number, I am a free man.

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    • vinteuil
      Full Member
      • Nov 2010
      • 12815

      #77
      Originally posted by teamsaint View Post
      there's an Elgar plaque in downmarket West Kensington, in Avonmore Road that I happened upon.

      ....
      ... Avonmore Road of course a biscuit's toss from Brook Green, famous for Holst and the subject of a Kipling story.

      Publication This story was first published in The Week’s News (Pioneer Press, Allahabad) October 31 1891, Black and White Magazine, London, October 1891, and Harper’s Weekly, New York, October 17th…

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      • Beef Oven!
        Ex-member
        • Sep 2013
        • 18147

        #78
        Nice ‘hood, Cali

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        • EdgeleyRob
          Guest
          • Nov 2010
          • 12180

          #79
          Originally posted by Serial_Apologist View Post
          I might just take up that suggestion, Cali - I often pay visits to Cheyney Walk to pay my respects to the Vaughan Williams plaque. I haven't yet been to the impressive Regency terrace off Regent's Park to see if there's another one there - it being where RVW lived his final years.

          By the way, am I right in thinking Queensborough Terrace to the the one which has an artificial frontage consistent with the remainder, built to conceal the District/Circle Line which passes underneath at that point?
          Yes there is an RVW blue plaque at Hanover Terrace S_A,and one for H G Wells a couple of doors along.

          Yes Cali that was a lovely programme today.

          Comment

          • EdgeleyRob
            Guest
            • Nov 2010
            • 12180

            #80
            Originally posted by ahinton View Post
            It's certainly less widely performed than one might expect, given how attractive a work it is, but there are several ensembles that have it in their repertoires.

            Does anyone here know anything about Bridge's early D minor trio?
            I was mistaken,the D Minor isn't on you tube,that is the Phantasie Trio in C Minor.
            I should have known really because the Phantasie is always referred to as 'Piano Trio No 1' on record and on the web.
            I wonder if the D Minor is lost and was never published ?

            Comment

            • subcontrabass
              Full Member
              • Nov 2010
              • 2780

              #81
              Originally posted by EdgeleyRob View Post
              I wonder if the D Minor is lost and was never published ?
              The Music of Frank Bridge by Fabian Huss (published 2015) states that the D minor Piano Trio is now lost.

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              • EdgeleyRob
                Guest
                • Nov 2010
                • 12180

                #82
                Originally posted by subcontrabass View Post
                The Music of Frank Bridge by Fabian Huss (published 2015) states that the D minor Piano Trio is now lost.
                Thank you sub

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                • ahinton
                  Full Member
                  • Nov 2010
                  • 16122

                  #83
                  Originally posted by subcontrabass View Post
                  The Music of Frank Bridge by Fabian Huss (published 2015) states that the D minor Piano Trio is now lost.
                  Many thanks for this. It might have been of no great consequence given its date but one can never tell; look, for example, at Strauss's cello sonata, also written in his latter 'teens...

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                  • Nick Armstrong
                    Host
                    • Nov 2010
                    • 26533

                    #84
                    Some good stuff coming up this afternoon
                    2pm
                    Malcolm Arnold: Tam O'Shanter
                    William Walton: Funeral March from Hamlet
                    Arnold Guitar Concerto

                    c.2.40pm
                    Walton: Spitfire Prelude and Fugue
                    Arnold: Serenade
                    Arnold: Symphony No 6
                    Craig Ogden (guitar)
                    BBC Concert Orchestra, conductor John Gibbons

                    c.3.20pm
                    William Alwyn: Odd Man Out Suite

                    Bit of an Arnold-fest this week - heard the flute concerto for the first time yesterday afternoon...
                    "...the isle is full of noises,
                    Sounds and sweet airs, that give delight and hurt not.
                    Sometimes a thousand twangling instruments
                    Will hum about mine ears, and sometime voices..."

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #85
                      Thanks for the heads up, on this Cali will listen this afternoon!! :)
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • Serial_Apologist
                        Full Member
                        • Dec 2010
                        • 37678

                        #86
                        The slow movement of Arnold 6 is rather unusual, in that halfway through its grim procession the tempo breaks into a lopsided sort of 3/4 and the music goes briefly into a passage of repeated modal chords that might have been written by Gil Evans for Miles's trumpet some years before.

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                        • Beef Oven!
                          Ex-member
                          • Sep 2013
                          • 18147

                          #87
                          Originally posted by Serial_Apologist View Post
                          The slow movement of Arnold 6 is rather unusual, in that halfway through its grim procession the tempo breaks into a lopsided sort of 3/4 and the music goes briefly into a passage of repeated modal chords that might have been written by Gil Evans for Miles's trumpet some years before.
                          I listened to my Conifer CD of that a short while go and had a very similar thought. And I don’t remember it having that effect on me when I first bought the CD about 20 years ago - when I played it recently, it was quite a surprise. Another example how Julian Barnes may have a point about memory.

                          Comment

                          • Nick Armstrong
                            Host
                            • Nov 2010
                            • 26533

                            #88
                            Originally posted by Serial_Apologist View Post
                            The slow movement of Arnold 6 is rather unusual, in that halfway through its grim procession the tempo breaks into a lopsided sort of 3/4 and the music goes briefly into a passage of repeated modal chords that might have been written by Gil Evans for Miles's trumpet some years before.
                            Yes - spotted that section, indeed. And the shade of Charlie Parker explicitly haunts the first movement.

                            There's another ghost who is very present in the slow movement - Shostakovich, whose DSCH motif is repeated times without number...

                            That said, Arnold's 6th is a long way from displacing his 5th in my affections, on this hearing.
                            "...the isle is full of noises,
                            Sounds and sweet airs, that give delight and hurt not.
                            Sometimes a thousand twangling instruments
                            Will hum about mine ears, and sometime voices..."

                            Comment

                            • BBMmk2
                              Late Member
                              • Nov 2010
                              • 20908

                              #89
                              Indeed Cali, and SA, on all counts, Not one of the best of MA's works but worth hearing still, all the same. I haven't got round to hearing his 5th yet. But will do.
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment

                              • Serial_Apologist
                                Full Member
                                • Dec 2010
                                • 37678

                                #90
                                Originally posted by Caliban View Post


                                There's another ghost who is very present in the slow movement - Shostakovich, whose DSCH motif is repeated times without number...
                                I'd never noticed that!!! - though I've always thought the forced joviality of the finale to have more than a tinge of the Shosties about it.

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