Am I alone in finding the (just broadcast) slow movement from his 1st symphony very reminiscent of a movement from Respighi's Roman Festivals?
Gordon Jacob
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Originally posted by Northender View PostAm I alone in finding the (just broadcast) slow movement from his 1st symphony very reminiscent of a movement from Respighi's Roman Festivals?
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Compositionally GJ might have been a bit of a magpie. But he was above all a craftsman composer and arranger, able to turn his hand to anything, and with a thorough knowledge of orchestral instruments and how to write idiomatically for them. I still refer to his 'little book' Orchestral Technique which has all the ranges and transpositions of instruments conveniently mapped out. His tips on how to orchestrate may be a bit conventional...but you don't have to follow them if you want to be wacky.
I was more interested in the Joseph Horowitz part of the programme. I only knew his 'Captain Noah' frolic, and hadn't realised he had done anything as profound as the string quartet featured today. He is the studio guest this week.
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Originally posted by ardcarp View PostI still refer to his 'little book' Orchestral Technique which has all the ranges and transpositions of instruments conveniently mapped out. His tips on how to orchestrate may be a bit conventional...but you don't have to follow them if you want to be wacky.
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Originally posted by salymap View PostCan anyone print a photo of Joseph Horovitz please.? I know he came to the Augener office but can't 'place' him ATM. Actually a photo of him 40 or 50 years ago might be better
and a record sleeve which looks based on a rather grainy photo:
Best I could find, sals.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post
Anyway, born 1926, he's doing well. Long may he continue.
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I have heard quite a bit of Gordon Jacob's music. There has been nothing I've not enjoyed at the time, but (sadly) nothing that has remained with me. Still RVW thought highly enough of his pupil to have him make the orchestral version of the Folk Song Suite, which was originally for wind band.
His little book on orchestration is useful, if you can ignore the stricture never to combine oboe and clarinet in a solo line - he'd obviously never heard Schubert's Unfinished (thirteenth bar)!
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Originally posted by salymap View PostI feel Gordon Jacob is to classical/serious music what Eric Coates was to lighter stuff. A wonderful craftsman who could turn his hand to anything required. However, while I remember a lot of Coates' music in everything he did, I can't recall many Gordon Jacob works. My fault perhaps
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