Originally posted by Richard Tarleton
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Tárrega watch
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Richard Tarleton
Thanks Cali. Good to see/hear him playing a guitar of traditional build, too, albeit with rather squeaky strings......
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Originally posted by Richard Tarleton View PostMy work is done.
[Inverted ! looks more like a lower case i to me ]It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by ardcarp View PostComing to this thread rather late, I wonder if he wrote anything for the tárogató.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostAlways something to learn in this place
"A modern tárogató may occasionally be heard in Act 3 of Tristan und Isolde by Richard Wagner where it has become traditional in some opera houses (e.g. the Royal Opera House, London) to use it instead of the off-stage cor anglais for the last passage (bars 999-1149) of the Shepherd's air, but Wagner did not specify this, merely suggesting in the score "a specially built simple natural instrument"."
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In case anyone's interested the tárogató was originally a double-reed instrument (possible a bit like a shawm?) originating in the Middle East, and found also in Turkey. It was probably meant for outdoor use, maybe in battle (rallying the troops, etc). The modern version is totally different, having been re-invented in Romania and/or Hungary. It has a single reed and looks at first sight like a clarinet, except that it has a conical bore. Its tone is more exotic than the clarinet, hence its use in Tristan. Sorry to be a....bore!
Edit: Probably more than you want to know here.....
....but nice pics if you scroll down.Last edited by ardcarp; 19-12-16, 21:53.
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Richard Tarleton
Sarah Walker attempted a sort of compromise this morning, giving all 3 syllables more or less equal emphasis (she clearly can't quite accept it's Tárrega). She was playing that hideous transcription of Recuerdos by Ruggiero Ricci, surely one of the most misbegotten transfers ever attempted.
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Originally posted by Richard Tarleton View PostSarah Walker attempted a sort of compromise this morning, giving all 3 syllables more or less equal emphasis (she clearly can't quite accept it's Tárrega). She was playing that hideous transcription of Recuerdos by Ruggiero Ricci, surely one of the most misbegotten transfers ever attempted.
And yes that transcription is awful - ruins a decent bit of music and justifies the view of violins as nasty screechy things.
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Richard Tarleton
Just caught the end of today's challenge on EC - "Memories of the Alhambra" - how did RC do with Tárrega? I may have to check later if nobody caught it.
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Richard Tarleton
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