Tárrega watch

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26538

    #31
    Originally posted by Richard Tarleton View Post
    a young guitarist of the moment whose name escapes me
    http://www.thibautgarcia-guitarist.com/en/
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • Richard Tarleton

      #32
      Thanks Cali. Good to see/hear him playing a guitar of traditional build, too, albeit with rather squeaky strings......

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      • french frank
        Administrator/Moderator
        • Feb 2007
        • 30302

        #33
        Originally posted by Richard Tarleton View Post
        My work is done.
        ¡Felicitaciones! ¡Enhorabuena!

        [Inverted ! looks more like a lower case i to me ]
        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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        • Richard Tarleton

          #34
          Originally posted by french frank View Post
          ¡Felicitaciones! ¡Enhorabuena!

          [Inverted ! looks more like a lower case i to me ]
          ¡Muchísimas gracias!

          (it does rather )

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          • Historian
            Full Member
            • Aug 2012
            • 645

            #35
            Originally posted by french frank View Post
            The problem is that no one never knows exactly how ignorant they are and about what...
            I too have been guilty of mispronouncing the composer in question. Thank you for putting me right, RT. Always glad to have learned something.

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            • ardcarp
              Late member
              • Nov 2010
              • 11102

              #36
              Coming to this thread rather late, I wonder if he wrote anything for the tárogató.

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              • french frank
                Administrator/Moderator
                • Feb 2007
                • 30302

                #37
                Originally posted by ardcarp View Post
                Coming to this thread rather late, I wonder if he wrote anything for the tárogató.
                Always something to learn in this place
                It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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                • Richard Tarleton

                  #38
                  Originally posted by ardcarp View Post
                  Coming to this thread rather late, I wonder if he wrote anything for the tárogató.
                  Obviously you can have more than one stress in a Romanian word, unlike in Spanish - tho RC is happy to try

                  Here's a picture of the great man

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                  • vinteuil
                    Full Member
                    • Nov 2010
                    • 12844

                    #39
                    Originally posted by french frank View Post
                    Always something to learn in this place
                    ... and I, for one, didn't know that one might easily encounter the tárogató in Wagner - from wiki :

                    "A modern tárogató may occasionally be heard in Act 3 of Tristan und Isolde by Richard Wagner where it has become traditional in some opera houses (e.g. the Royal Opera House, London) to use it instead of the off-stage cor anglais for the last passage (bars 999-1149) of the Shepherd's air, but Wagner did not specify this, merely suggesting in the score "a specially built simple natural instrument"."

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                    • ardcarp
                      Late member
                      • Nov 2010
                      • 11102

                      #40
                      In case anyone's interested the tárogató was originally a double-reed instrument (possible a bit like a shawm?) originating in the Middle East, and found also in Turkey. It was probably meant for outdoor use, maybe in battle (rallying the troops, etc). The modern version is totally different, having been re-invented in Romania and/or Hungary. It has a single reed and looks at first sight like a clarinet, except that it has a conical bore. Its tone is more exotic than the clarinet, hence its use in Tristan. Sorry to be a....bore!

                      Edit: Probably more than you want to know here.....



                      ....but nice pics if you scroll down.
                      Last edited by ardcarp; 19-12-16, 21:53.

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                      • Richard Tarleton

                        #41
                        Sarah Walker attempted a sort of compromise this morning, giving all 3 syllables more or less equal emphasis (she clearly can't quite accept it's Tárrega). She was playing that hideous transcription of Recuerdos by Ruggiero Ricci, surely one of the most misbegotten transfers ever attempted.

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                        • oddoneout
                          Full Member
                          • Nov 2015
                          • 9205

                          #42
                          Originally posted by Richard Tarleton View Post
                          Sarah Walker attempted a sort of compromise this morning, giving all 3 syllables more or less equal emphasis (she clearly can't quite accept it's Tárrega). She was playing that hideous transcription of Recuerdos by Ruggiero Ricci, surely one of the most misbegotten transfers ever attempted.
                          She seemed to have a slightly different version each time it came up - maybe part of the problem is that when one is concentrating on not mis-pronouncing(especially if the wrong version is what one's always used) it can be hard not to compromise the correct version? Bit like that exercise of not thinking about 'white bear' for 5 minutes....
                          And yes that transcription is awful - ruins a decent bit of music and justifies the view of violins as nasty screechy things.

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                          • Richard Tarleton

                            #43
                            Just caught the end of today's challenge on EC - "Memories of the Alhambra" - how did RC do with Tárrega? I may have to check later if nobody caught it.

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                            • Richard Tarleton

                              #44
                              He pronounced it TarrEga.

                              Where do we go from here?

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                              • vinteuil
                                Full Member
                                • Nov 2010
                                • 12844

                                #45
                                Originally posted by Richard Tarleton View Post
                                He pronounced it TarrEga.


                                Where do we go from here?
                                .

                                ... ah, but the 'he' here was Robt: Cowan. What else did you expect from the mangler-in-chief??

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