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Returning, then, to Saturday Classics : It was so. I checked to see whether it was or not and it was. The hall, we were told, was almost packed full, 'sitting room only' (So all the standing seats had gone?)
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Misericords of the World. The web's most comprehensive photo album and description (corpus) of the misericords, both medieval and modern, from nearly 150 british, and continental churches and cathedrals, containing over 7500 photos. It is worth noting that misericords are often refered to as Pity seats, misericordes and Misereres and in other languages as miséricordes, miserikordie and misericordia.
Returning, then, to Saturday Classics : It was so. I checked to see whether it was or not and it was. The hall, we were told, was almost packed full, 'sitting room only' (So all the standing seats had gone?)
Back in the days when we had a choice of terracing or stands, people used to sit in the stands.
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
Saturday Classics came live from the RWCMD Foyer, overlooking Bute Park, and not from a hall.
Thank you - always good to get information first hand. Actually, there didn't seem to be that many people packing it full - and the people at the back seem to be watching something else. However, they did give a pretty hearty 'Hello, Mum' cheer when invited to do so.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
(not sure if this is the right place) In advance of her appearance at the Royal Albert Hall to present the BBC 6Music Prom, Mary Anne Hobbs presents two hours of music that traverses the boundaries between classical music and the so-called 'New Classical'. Mary Anne's third appearance on Saturday Classics includes composers such as Arvo Pärt, Debussy, Bach, Guillaume de Machaut, Liszt, Philip Glass and Saint-Saens. She also includes works by the 6Music Prom performers, Nils Frahm and A Winged Victory for the Sullen.
Mary Anne Hobbs explores the margins of classical music.
This seems to suggest that the purpose of this Prom is to broaden the minds of classical music listeners (to whose benefit?) rather than introducing classical music to wider audiences. Putting aside the question of whether the Proms should be doing this, why isn’t the BBC honest about it instead of pretending it to be the other way round?
The programme, then, is being used as a promo for the Prom.
And what is so-called New Classical?
Nils Frahm appears to be one, featuring at the 6 Music Prom. Not sure who calls it 'New Classical'. I'd call it Soft New 'classical'. If you like Arvo Pärt and Philip Glass, you'll love this … ?
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
(not sure if this is the right place) In advance of her appearance at the Royal Albert Hall to present the BBC 6Music Prom, Mary Anne Hobbs presents two hours of music that traverses the boundaries between classical music and the so-called 'New Classical'. Mary Anne's third appearance on Saturday Classics includes composers such as Arvo Pärt, Debussy, Bach, Guillaume de Machaut, Liszt, Philip Glass and Saint-Saens. She also includes works by the 6Music Prom performers, Nils Frahm and A Winged Victory for the Sullen.
Mary Anne Hobbs explores the margins of classical music.
This seems to suggest that the purpose of this Prom is to broaden the minds of classical music listeners (to whose benefit?) rather than introducing classical music to wider audiences. Putting aside the question of whether the Proms should be doing this, why isn’t the BBC honest about it instead of pretending it to be the other way round?
And what is so-called New Classical?
And what's this "...includes composers such as...", which one sees and hears more and more in these slapdash editorial days? Composers with two arms, two legs, and various other anatomical peculiarities that prove them to be composers "such as" these? Or did Part, Debussy, Bach, Machaut, Liszt, Glass and Saint-Saens have something else in common as composers that I am unaware of?
Katie Derham presents a selection of classical music inspired by dance, from the Viennese Waltz to the Argentine Tango, and reflects on her Strictly Come Dancing experience so far.
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