Originally posted by antongould
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Saturday Classics/Inside Music
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Originally posted by cloughie View PostNeil Sedaka .... was the American 1966 Tchaikovsky Piano Competition entrant
That is the single most surprising and bizarre fact I've learnt this year!!!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostThe downside is that he gave it all up for pop music ...I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostYeah, didn't really work out for him, that one...........
OTOH It depends what you're after ...It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by pilamenon View PostI respect and admire Sedaka as a singer/songwriter, but when he can't even pronounce the names of composers and artists he is featuring, it just sounds so amateurish.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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After the Lunchtime Concert today I crashed into Saturday Classics, and was about to turn it off. However Trevor Cox has some interesting insights into acoustics, so I've stuck with it up to now.
I am a Professor of Acoustic Engineering at the University of Salford where I carry out research and teaching focussing on architectural acoustics, signal processing and audio perception. I am also…
Trevor Cox is Professor of Acoustic Engineering at the University of Salford. He is a past president of the UK’s Institute of Acoustics and was awarded the IoA Tyndall Medal. His research covers architectural acoustics, psychoacoustics and audio. He has been PI/CI on 10 EPSRC projects on built environment acoustics. Current EPSRC projects include two on machine learning challenges to improve hearing aids. Trevor co-wrote the definitive text on room Acoustic Absorbers and Diffusers (CRC Press). He was an EPSRC Senior Media Fellow. He has presented 26 documentaries for BBC radio including: The Physicist’s Guide to the Orchestra. He won an ASA Science Writing Award for his popular science book Sonic Wonderland. The book describes the oil tank where he broke the Guinness World record for the longest echo.
One complaint is "why is his voice is so loud compared with the music?" In a way that's nobody's fault, as this is often a matter for personal preference, but surely with digital technology it would be possible to send out a steering signal which could adjust the relative level of speech to music at the receiver. If digital processing is so good, then why are broadcasters so slow to adopt such sensible ideas? Even car manufacturers are slightly ahead of the game, with variable levels for engine speed which are user selectable. Broadcasters clearly don't think end users are capable of selecting options on digital equipment!
PS: Actually steering signals could be made to work with analogue equipment too.
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The BBC is really putting Salford on the map.
One complaint is why is his voice is so loud compared with the musicIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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