Just can't see how the slow movement - welcome though it was to hear it - from RVW's Pastoral works in any way as a companion piece to the Beethoven. The only thing really in common is the title . Also detaching it from the rest of the symphony really jars for me in a way that playing the first movt of Beethoven 6 doesn't ...
Essential Classics - The Continuing Debate
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Originally posted by Stanfordian View PostHiya Maestro,
Ah! So you are to blame for encouraging this ridiculous programme. 500 lines for you and extra homework as a punishment.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by un barbu View PostI wonder if this suggests a part at least of the target audience for mornings on Radio 3: "Hans Castorp loved music with all his heart, its effect being much like that of the porter he drank with his morning snack --profoundly calming, numbing, 'doze'-inducing -- and he listened now with pleasure, his head tilted to one side, mouth open, eyes slightly bloodshot."
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Given that for various reasons I didn't hear much of this morning's programme, I am pleased to report that for this listener at least there were 3 items that made my morning more pleasurable, a better 'hit' rate than of late(or in fact for some time).
William Boyce: Overture. His music was a staple of our school Junior and string orchestras, and I always enjoy hearing it.
Teruyuki Noda: Kokiriko variations. Beautiful flute and guitar playing.
Dmitri Shostakovich: 'O wert thou in the cauld blast'. The combination of the orchestration and Gerald Finlay's singing stopped me in my tracks.
The Noda and DS were new to me, so an added bonus.
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Originally posted by Heldenleben View PostAnd yet at the end of the novel Hans goes over the top in the trenches singing Der Lindenbaum from Die Winterreise - so perhaps music is more for him than an analgesic - useful though that would be in the crossfire .Barbatus sed non barbarus
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Being housebound today with a bad cold, I listened right the way through, but didn't find much to complain about, in fact it was a quite a pleasurable experience. Companion pieces, Mozart, Schubert, Chopin, Tinzel on Christmas Trees, Carol Competition finalists. My only complaint was Brian Blessed - I've never appreciated his sudden switch to a loud emotional state.
I guess Suzy might have shoe-horned in a Mahler Symphony - but then it would be different programme.
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Originally posted by Vespare View PostMy only complaint was Brian Blessed - I've never appreciated his sudden switch to a loud emotional state.
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Originally posted by underthecountertenor View PostI didn't appreciate being told by Suzy (in her worst hectoring tone) that, if Blessed Brian didn't make me smile, I was a miserable grouch or some such."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Vespare View PostBeing housebound today with a bad cold, I listened right the way through, but didn't find much to complain about, in fact it was a quite a pleasurable experience. Companion pieces, Mozart, Schubert, Chopin, Tinzel on Christmas Trees, Carol Competition finalists. My only complaint was Brian Blessed - I've never appreciated his sudden switch to a loud emotional state.
I guess Suzy might have shoe-horned in a Mahler Symphony - but then it would be different programme.
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Richard Tarleton
Originally posted by ferneyhoughgeliebte View PostAnd I Claudius
But, Vespare is perfectly correct - it would be a different programme.
One I might want to listen to.
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Originally posted by Caliban View PostDidn't catch the intro by Miss, but while getting ready to go out, I happened to switch on to hear BB - these little celeb sound bites are pathetic though, aren't they? Oh, and he's interested in Outer Space... cue: bit of The Planets ... And off I switched.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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