Essential Classics - The Continuing Debate

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37589

    Originally posted by vinteuil View Post


    Comment

    • DracoM
      Host
      • Mar 2007
      • 12960

      See upthread.

      Comment

      • Eine Alpensinfonie
        Host
        • Nov 2010
        • 20570

        Tomorrow we can tweextmail a companion piece for Bach's Mass in B minor. This could be an error on the Radio 3 webpage, but maybe they don't realise that after a work of this magnitude, the audience goes home. There can be no companion piece.

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37589

          Originally posted by Eine Alpensinfonie View Post
          Tomorrow we can tweextmail a companion piece for Bach's Mass in B minor. This could be an error on the Radio 3 webpage, but maybe they don't realise that after a work of this magnitude, the audience goes home. There can be no companion piece.
          One could always die, I suppose, having first tweeted this as one's appropriate follow-on from the Bach.

          Comment

          • french frank
            Administrator/Moderator
            • Feb 2007
            • 30241

            Originally posted by Eine Alpensinfonie View Post
            Tomorrow we can tweextmail a companion piece for Bach's Mass in B minor.
            Depends which snatch they're going to play, I suppose.
            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

            Comment

            • Paulie55
              Full Member
              • Jan 2012
              • 87

              Originally posted by Eine Alpensinfonie View Post
              Tomorrow we can tweextmail a companion piece for Bach's Mass in B minor. This could be an error on the Radio 3 webpage, but maybe they don't realise that after a work of this magnitude, the audience goes home. There can be no companion piece.
              "Tell me what piece could follow this, it doesn't have to be choral or from the same century.............but we've already chosen a companion work 10 days ago while planning the schedule, so if you just want to hear your name read out, text or tweet....."

              Comment

              • french frank
                Administrator/Moderator
                • Feb 2007
                • 30241

                Originally posted by Paulie55 View Post
                "Tell me what piece could follow this, it doesn't have to be choral or from the same century.............but we've already chosen a companion work 10 days ago while planning the schedule, so if you just want to hear your name read out, text or tweet....."
                Well, in my view, insisting that they have already chosen the 'companion pieces' when we have no evidence is simply claiming that what we don't know is nevertheless true. What few of us here would consider questionable, I think, is that to ask in this way for 'companion pieces' to Bach's B minor Mass is trivialising and insulting, to the music and to listeners.
                It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                Comment

                • Paulie55
                  Full Member
                  • Jan 2012
                  • 87

                  Originally posted by french frank View Post
                  Well, in my view, insisting that they have already chosen the 'companion pieces' when we have no evidence is simply claiming that what we don't know is nevertheless true. What few of us here would consider questionable, I think, is that to ask in this way for 'companion pieces' to Bach's B minor Mass is trivialising and insulting, to the music and to listeners.
                  Indeed it is trivial and condescending but I really don't expect anything else from RC and Radio 3. The words "completely lost the plot" ring out every time I tune in to this drivel masquerading as a serious music programme.

                  Comment

                  • french frank
                    Administrator/Moderator
                    • Feb 2007
                    • 30241

                    Originally posted by Paulie55 View Post
                    The words "completely lost the plot" ring out every time I tune in to this drivel masquerading as a serious music programme.
                    Then don't tune in to it. I've never listened since they first outlined what the programme would be. Watching how it's developed hasn't tempted me to listen other than to the odd segment - admittedly to confirm my already fixed prejudices. But reading what hardier souls report is enough to keep me away.

                    What is more concerning than how "I can't stand this drivel" is that this programme attracts probably Radio 3's biggest audience, probably of droppers-in and droppers-out or casual background listeners. In that sense it has achieved its aim, shameful though that aim was in the first place.
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                    Comment

                    • french frank
                      Administrator/Moderator
                      • Feb 2007
                      • 30241

                      Come on, you have to laugh:

                      After the Gloria from Bach's B minor mass, we had the Gloria from Mozart's C minor Mass, And now for a complete change of mood, here's a Schubert Impromptu. (I just caught this bit having checked out of curiosity).
                      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20570

                        Originally posted by Paulie55 View Post
                        "Tell me what piece could follow this, it doesn't have to be choral or from the same century.............but we've already chosen a companion work 10 days ago while planning the schedule, so if you just want to hear your name read out, text or tweet....."
                        I subject you've hit the nail on the head.

                        Comment

                        • Eine Alpensinfonie
                          Host
                          • Nov 2010
                          • 20570

                          Did they play the whole of the Gloria? It has 9 movements:

                          Gloria in excelsis, Et in terra pax, Laudamus te, Gratias agimus tibi, Domine Deus, Qui tollis peccata mundi, Qui sedes ad dexteram Patris, Quoniam tu solus sanctus, Cum Sancto Spiritu

                          I suspect not.

                          Comment

                          • french frank
                            Administrator/Moderator
                            • Feb 2007
                            • 30241

                            Originally posted by Eine Alpensinfonie View Post
                            Did they play the whole of the Gloria? It has 9 movements:
                            I made it 6 mins 3 secs in all, and 7 mins of the Mozart C minor, mistakenly introduced as being by Bach - but who's listening, anyway?

                            A reminder snatch of the Bach previously played (about 10 secs) was followed by just over a minute of reading out all the other suggestions, not selected (I would have been interested to know which piece by John Adams was suggested as suitable, but we weren't told).

                            Rob: How could you read out John Adams as an appropriate follow-up to Bach's B minor Mass?
                            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                            Comment

                            • Bryn
                              Banned
                              • Mar 2007
                              • 24688

                              Originally posted by french frank View Post
                              I made it 6 mins 3 secs in all, and 7 mins of the Mozart C minor, mistakenly introduced as being by Bach - but who's listening, anyway?

                              A reminder snatch of the Bach previously played (about 10 secs) was followed by just over a minute of reading out all the other suggestions, not selected (I would have been interested to know which piece by John Adams was suggested as suitable, but we weren't told).

                              Rob: How could you read out John Adams as an appropriate follow-up to Bach's B minor Mass?
                              t'other Mary? (Not a work I have much time for.in terms of Adams's music.)

                              Comment

                              • french frank
                                Administrator/Moderator
                                • Feb 2007
                                • 30241

                                Originally posted by Bryn View Post
                                t'other Mary? (Not a work I have much time for.in terms of Adams's music.)
                                On the grounds that Bach composed several Passions himself?
                                It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                                Comment

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