Essential Classics - The Continuing Debate

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    Originally posted by Flosshilde View Post
    . . . & RC isn't a good presenter.
    But that's just the point. He IS a good presenter when he works within a good format. Many of us here thought so when he presented CD Masters.

    On the BBC Messageboards, a few people actually complained that we revered him too much.

    Comment

    • cloughie
      Full Member
      • Dec 2011
      • 22114

      Originally posted by Eine Alpensinfonie View Post
      But that's just the point. He IS a good presenter when he works within a good format. Many of us here thought so when he presented CD Masters.
      I agree and he still is good at presenting the CD Masters bit on EC and not the silly quizzes and celeb interviews. As is SW!

      Comment

      • Stanfordian
        Full Member
        • Dec 2010
        • 9308

        Originally posted by Eine Alpensinfonie View Post
        I switched on at 9.40.
        A tune was then played backwards.
        We were invited to e-mail/tweet the name of the piece.
        It was sickening.
        I switched off.
        Hiya Eine Alpensinfonie,

        I can't stand it either. All this inane interaction with the audience. The BBC management is ruining a wonderful radio station. I recall Arthur Butterworth saying to me a few months before he died that the live concerts had reduced in quality over the years; but he went back in years much further than me.

        Comment

        • vinteuil
          Full Member
          • Nov 2010
          • 12783

          Originally posted by Eine Alpensinfonie View Post

          On the BBC Messageboards, a few people actually complained that we revered him too much.
          ... indeed I did

          He's obviously better doing things like BaL - but even there I feel he has limitations : he adores his 1950s and 1960s recordings (you feel he thinks nothing since really compares), and is not particularly comfortable negotiating HIPP.

          Sadly I think he rather enjoys his current cuddly role. For me it's a literal 'turn off'.

          Comment

          • antongould
            Full Member
            • Nov 2010
            • 8778

            Originally posted by vinteuil View Post
            ... indeed I did

            He's obviously better doing things like BaL - but even there I feel he has limitations : he adores his 1950s and 1960s recordings (you feel he thinks nothing since really compares), and is not particularly comfortable negotiating HIPP.

            Sadly I think he rather enjoys his current cuddly role. For me it's a literal 'turn off'.
            Seconded ....

            Comment

            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30241

              Originally posted by Stanfordian View Post
              I recall Arthur Butterworth saying to me a few months before he died that the live concerts had reduced in quality over the years; but he went back in years much further than me.
              Interested you were in contact with Arthur - so was I. He contacted us first to express his sadness at the way Radio 3 had declined. And about other things I was glad that he told us about his (final) symphony and we were able to send congratulations and good wishes when it was premiered.
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • Dave2002
                Full Member
                • Dec 2010
                • 18009

                Originally posted by antongould View Post
                I'm with you floss ....
                Moi aussi. The other thing In Tune does which other programmes don't do is flag up performances which are coming along. This may be helpful for some music societies, where performers are booked to give concerts at (arguably more) prestigious locations, such as Wigmore Hall around the same time as the performers are booked to perform for local societies.

                I think that it may even be possible to notify In Tune of these other concerts, which may somehow then benefit from promotion, either on air, or on a website. This can help the performers and also the concert society promoters, which in days of local music societies struggling to maintain membership is very useful - assuming that this form of cultural awareness is still valued.

                Re RC - I find that I often don't agree with him, and he is somewhat challenged in the HIPP department. I don't always want to listen to a "marvellous" performance by some obscure Pre War (which one?) conductor recorded on 78s. There are some very good up to date performances by current generations of performers recorded in very much better sound quality - though I do accept the point that I'd perhaps rather hear a superb performance in poorish sound, than a dull one in hi-fi. Sometimes this can be a real challenge though - such as performances of works conducted by Mravinsky, which are not only rather challenged in the audio department, but have audiences (often from Moscow) who sound as though they are in the middle of a cold or flu epidemic. I think Golovanov is another of RC's enthusiasms - really weird and erratic conducting.

                Comment

                • zola
                  Full Member
                  • May 2011
                  • 656

                  Add me to those who find RC's anorak approach makes me reach for the off switch. But I would rather not listen to him doing something like CD Masters than not listen to him doing what he now does.

                  Comment

                  • Stanfordian
                    Full Member
                    • Dec 2010
                    • 9308

                    Originally posted by french frank View Post
                    Interested you were in contact with Arthur - so was I. He contacted us first to express his sadness at the way Radio 3 had declined. And about other things I was glad that he told us about his (final) symphony and we were able to send congratulations and good wishes when it was premiered.
                    Hiya Frank,

                    In a long 2 hour or so interview at his home Arthur told me that he felt let down by certain people (I best not mention the name of main protagonist) who didn't treat him or his music with the respect he felt it deserved. A day later his new symphony was being premiered locally but this event was not widely disseminated. I don't think the BBC were involved at all. In my view Arthur was not the best at self publicity. In truth his music was unfashionable.
                    Last edited by Stanfordian; 01-02-16, 14:04.

                    Comment

                    • peterthekeys
                      Full Member
                      • Aug 2014
                      • 246

                      Libby Larsen

                      Did anyone else catch "Deep Summer Music" by Libby Larsen this morning? (It was slotted in between two clues in the "challenge" - BTW, I suppose I should come clean and admit that I have - very occasionally - been tempted into texting the answer )

                      It struck me as a wonderful piece - very imaginative and original, but also attractive and elegant on first hearing. I'd never heard of her! I see from her web site that she has over 500 works to her credit so far:

                      Libby Larson is a Grammy award-winning American composer. She has created a catalog of over 500 works spanning virtually every genre.


                      Definitely intend to investigate further ...
                      Last edited by peterthekeys; 01-02-16, 12:02.

                      Comment

                      • Richard Tarleton

                        Originally posted by vinteuil View Post
                        Sadly I think he rather enjoys his current cuddly role.
                        Quite. Listening to him yesterday morning on Sunday Morning, it struck me how much he loves reading out emails and tweets, no matter how banal. He's not doing it under protest.

                        Comment

                        • peterthekeys
                          Full Member
                          • Aug 2014
                          • 246

                          Just listening to Private Passions this lunchtime, it struck me that - supposing it likely - if RC considered reviewing his interviewing style and technique, he could do a lot worse than try to emulate Michael Berkeley: to me anyway, he always seems to hit just the right note - not criticism, not sympathy, just friendly and encouraging impartiality.

                          Comment

                          • Serial_Apologist
                            Full Member
                            • Dec 2010
                            • 37589

                            Originally posted by peterthekeys View Post
                            Just listening to Private Passions this lunchtime, it struck me that - supposing it likely - if RC considered reviewing his interviewing style and technique, he could do a lot worse than try to emulate Michael Berkeley: to me anyway, he always seems to hit just the right note - not criticism, not sympathy, just friendly and encouraging impartiality.
                            Yes, I've always regarded Michael Berkeley as a model of civil rectumtude.

                            Comment

                            • ahinton
                              Full Member
                              • Nov 2010
                              • 16122

                              Originally posted by Serial_Apologist View Post
                              Yes, I've always regarded Michael Berkeley as a model of civil rectumtude.
                              What if anything should be read into the croos-bencher status of Michael Fitzhardinge Berkeley, Baron Berkeley of Knighton, CBE, since he followed his godfather into that august institution the House of Lords?

                              Comment

                              • Stanfordian
                                Full Member
                                • Dec 2010
                                • 9308

                                Originally posted by ahinton View Post
                                What if anything should be read into the croos-bencher status of Michael Fitzhardinge Berkeley, Baron Berkeley of Knighton, CBE, since he followed his godfather into that august institution the House of Lords?
                                Hello AH,

                                You can't beat a Baron or some other ennobled personage presenting our BBC radio shows especially the proper hereditary types. I don't know whether to bow, kneel or stand. I bet Germany and their satellites are dead jealous of us ere!
                                Last edited by Stanfordian; 09-02-16, 12:21.

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