Originally posted by LeMartinPecheur
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Essential Classics - The Continuing Debate
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Georgia Mann( who looks very like Ian Skelly on the webpage...) has just played Arvo Part's Spiegel im Spiegel. Normally I quite like this piece but this recording has jarred. For some reason the third note of the repeated opening sequence on the piano sounds 'not quite right' pitchwise, so elsewhere in the piece when it occurs I notice it as well. I don't have perfect pitch and I don't think that the piano would be in need of tuning in a recording situation, so the only thing I can think of is that the particular timbre of that piano affects what I am hearing?
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Originally posted by oddoneout View PostGeorgia Mann( who looks very like Ian Skelly on the webpage...) has just played Arvo Part's Spiegel im Spiegel. Normally I quite like this piece but this recording has jarred. For some reason the third note of the repeated opening sequence on the piano sounds 'not quite right' pitchwise, so elsewhere in the piece when it occurs I notice it as well. I don't have perfect pitch and I don't think that the piano would be in need of tuning in a recording situation, so the only thing I can think of is that the particular timbre of that piano affects what I am hearing?
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Originally posted by oddoneout View PostGeorgia Mann( who looks very like Ian Skelly on the webpage...) has just played Arvo Part's Spiegel im Spiegel. Normally I quite like this piece but this recording has jarred. For some reason the third note of the repeated opening sequence on the piano sounds 'not quite right' pitchwise, so elsewhere in the piece when it occurs I notice it as well. I don't have perfect pitch and I don't think that the piano would be in need of tuning in a recording situation, so the only thing I can think of is that the particular timbre of that piano affects what I am hearing?
Absolute pitch is still a mysterious thing, and really needs more serious research. I think it varies a lot. Being able to choose from a range of 12 semitones is one thing - but I knew a guy at music college who could actually identify the frequency of the note in Hz.
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