Originally posted by Serial_Apologist
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Essential Classics - The Continuing Debate
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It was part of a segue sequence. Curiously, the piece following the Bax was back announced as Bach, but that wasn't on the track list which just stopped indicating the piece playing until the following piece started - the Dvořák. When the names of all the people who'd asked for the Bax were read out it was said that they'd requested 'a section' of November Woods. So they got what they asked forIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostIt was part of a segue sequence. Curiously, the piece following the Bax was back announced as Bach, but that wasn't on the track list which just stopped indicating the piece playing until the following piece started - the Dvořák. When the names of all the people who'd asked for the Bax were read out it was said that they'd requested 'a section' of November Woods. So they got what they asked for
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Originally posted by french frank View PostIt was part of a segue sequence. Curiously, the piece following the Bax was back announced as Bach, but that wasn't on the track list which just stopped indicating the piece playing until the following piece started - the Dvořák. When the names of all the people who'd asked for the Bax were read out it was said that they'd requested 'a section' of November Woods. So they got what they asked for
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Originally posted by LMcD View Post
Let's all request John Cage's 4'33" and time the silence.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by LMcD View Post
Let's all request John Cage's 4'33" and time the silence.
There's a good idea of what a performance may have been like in Edgar Reitz's Heimat 2nd series when the premiere of Volker's work is given with a huge clock over the stage.....quite a bit of allusion to Cage (prepared piano etc) in this most extraordinary of studies of music making in late 50s/early 60s Munich.
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Originally posted by cloughie View Post
I particularly like the action at 0’07”
I believe the John Cage was once broadcast as part of Children In Need. Listeners' reactions included complaints that it was being played (i) backwards and/or (ii) at the wrong speed.
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Originally posted by LMcD View Post
007 was always ready for action, wasn't he?
I believe the John Cage was once broadcast as part of Children In Need. Listeners' reactions included complaints that it was being played (i) backwards and/or (ii) at the wrong speed.
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