Essential Classics - The Continuing Debate

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  • cloughie
    Full Member
    • Dec 2011
    • 22119

    Originally posted by oddoneout View Post

    Georgia not Georgie or Georgina. Think "Georgia on my mind"?
    Think Ray Charles!

    Back to Callas - her voice sounded dreadfully dreary on the Somnambula clip yesterday - an ‘off switch where are you?’ track. A dilemma with so much of R3’s mixture is that the off trigger is ever present even when Mrs C is not listening!

    Then it’s silence, Radio Cornwall until a nasty pop track, or a friendly CD to brighten my spirit!

    Comment

    • oddoneout
      Full Member
      • Nov 2015
      • 9188

      Just been hearing some bits from Messiah and rather puzzled by the recit singing in the run-up to "Glory to God" - rather fast,strict time, dum de dum approach. Even more surprised to find it was the Dunedin Consort.
      Is this the new thinking on performing such a section and I am just too embedded in the old-fashioned flexible 'narrative' approach?

      Comment

      • smittims
        Full Member
        • Aug 2022
        • 4141

        I expect someone has a theory claiming that Handel would have done it like that in performance. I think if we could hear an actual Handel-directed performance we'd be in for some surprises.

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        • Ein Heldenleben
          Full Member
          • Apr 2014
          • 6779

          This performance :
          Maurice Ravel
          Bolero
          Orchestra: Les Siècles. Conductor: François‐Xavier Roth

          currently on Essential Classics is so good it almost makes the experience bearable .
          The sax and trombone solos absolutely outstanding.

          Comment

          • smittims
            Full Member
            • Aug 2022
            • 4141

            Unlike many people I love Bolero. The Ravel pieces I cannot listen to are Tzigane and tehj Violin Sonata.

            I well remember a fine Bolero I saw live by an orchestra who did their best but couldn't afford enough saxophonists, so the baritone player had to do a quick change to the soprano (or is it sopranino?) , a bit of a leap.
            ,
            On another occasion they did the suite no 1 from Daphnis et Chloe, but had only three percussionists, so the tambourine player wielded his tam-tam mallet just too late to give that instrument its only note in that part of the work (3 before 104). I felt so sorry for his plight I couldn't really criticise. Talk about Evenings in the orchestra...
            Last edited by smittims; 11-01-24, 14:44.

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            • Nick Armstrong
              Host
              • Nov 2010
              • 26533

              Originally posted by Ein Heldenleben View Post
              This performance :
              Maurice Ravel
              Bolero
              Orchestra: Les Siècles. Conductor: François‐Xavier Roth

              currently on Essential Classics is so good it almost makes the experience bearable .
              The sax and trombone solos absolutely outstanding.
              It’s a great performance. I’ve never had a problem with Bolero !
              "...the isle is full of noises,
              Sounds and sweet airs, that give delight and hurt not.
              Sometimes a thousand twangling instruments
              Will hum about mine ears, and sometime voices..."

              Comment

              • gurnemanz
                Full Member
                • Nov 2010
                • 7386

                I'm not a committed listener to this programme but sometimes listen to the last bit of it getting ready for CotW at 12. I'm glad I tuned in at about 11.15 today for a slightly hilarious moment where Georgia Mann referred to "You'll Never Walk Again" sung by Joyce DiDonato. Maybe Georgia has been listening to too may football chants. We well remember Joyce's wheelchair-bound performance of Rosina in Barber of Seville at ROH after her onstage accident when she broke her leg. Luckily, Joyce did walk again.

                Comment

                • french frank
                  Administrator/Moderator
                  • Feb 2007
                  • 30283

                  Originally posted by gurnemanz View Post
                  a slightly hilarious moment where Georgia Mann referred to "You'll Never Walk Again"
                  I was all ears for this one. I don't think the title was given in the announcement. The back announcement now has You'll Never walk ... Alone
                  It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                  Comment

                  • Serial_Apologist
                    Full Member
                    • Dec 2010
                    • 37678

                    Originally posted by french frank View Post

                    I was all ears for this one. I don't think the title was given in the announcement. The back announcement now has You'll Never walk ... Alone
                    Good example of the Freudian Slip, no?

                    Comment

                    • Nick Armstrong
                      Host
                      • Nov 2010
                      • 26533

                      Originally posted by gurnemanz View Post
                      Georgia Mann referred to "You'll Never Walk Again"
                      "...the isle is full of noises,
                      Sounds and sweet airs, that give delight and hurt not.
                      Sometimes a thousand twangling instruments
                      Will hum about mine ears, and sometime voices..."

                      Comment

                      • Serial_Apologist
                        Full Member
                        • Dec 2010
                        • 37678

                        Originally posted by Nick Armstrong View Post

                        And then somebody disabled her entry!

                        Comment

                        • LMcD
                          Full Member
                          • Sep 2017
                          • 8460

                          Originally posted by Serial_Apologist View Post

                          And then somebody disabled her entry!
                          Did I hear GM say that EC now has a 'great' (her word) 1-hour 'mix' on Fridays - a further sign of things to come?

                          Comment

                          • oliver sudden
                            Full Member
                            • Feb 2024
                            • 612

                            Originally posted by smittims View Post
                            I well remember a fine Bolero I saw live by an orchestra who did their best but couldn't afford enough saxophonists, so the baritone player had to do a quick change to the soprano (or is it sopranino?) , a bit of a leap.
                            I think it’s normally done with one tenor and one soprano, and since they’re both in Bb they would use essentially the same fingerings. (Barring special fingerings for, say, intonation purposes, which high on the soprano is a bit of a thing.)

                            In the score there’s a sopranino, but in F instead of the usual Eb, and since the sopranino can’t go low enough the tenor player changes to soprano to play the last few notes of the solo. I bet it’s never done that way, even in ‘historical’ performances. Indeed I wonder if it ever has been.

                            Comment

                            • smittims
                              Full Member
                              • Aug 2022
                              • 4141

                              Yes, I had not heard of a sopranino in F; Maybe it was a French military band instrument. I think Marcel Mule used an E flat sopranino (but maybe an F!) to play the trumpet part in Barndenburg 2 at a time when (possibly) no-one cold playabsolutely every note of it on a trumpet; not as daft as it sounds; the sopranino sax probably sounds closer to the baroque trumpet than a modern trumpet.

                              Comment

                              • oliver sudden
                                Full Member
                                • Feb 2024
                                • 612

                                It was indeed the sopranino in F that Mule used for Brandenburg 2, as I understand. The Bb and Eb saxophones certainly haven’t always had a monopoly although the C soprano and tenor are (maybe for obvious reasons?) by far the most common ‘other’ sizes.

                                I’ve forgotten who used to use soprano saxophones for Monteverdi’s cornetto parts! On the other hand Baroque clarinets are an excellent substitute for trumpets and there’s some historical evidence for them being used as such even back in the day.



                                There’s a Baroque clarinet in high F in the musical instrument museum in Leipzig. Why not for Brandenburg 2, I say? It would solve all manner of problems…

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