Originally posted by teamsaint
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Essential Classics - The Continuing Debate
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Originally posted by salymap View PostCaliban, you don't cycle through London wearing headphones do you? Wow!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Panjandrum
You'd be surprised how well a decent pair of headphones actually filter out extraneous ambient noise (e.g. wind, abuse from passing motorists) while allowing one to hear important sounds such as the approach of an internal combustion engine, while still being able to enjoy a symphony orchestra in full cry
. Provided one maintains a constant line in traffic, and makes eye contact with other road users, one really has little to worry one on a bike.
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Originally posted by Barbirollians View PostJoking apart it seems to be no coincidence that this has occurred after the end of classical music on Radio 2 .
The tale they tell that they want Radio 3's 'intelligent, thought-provoking' programmes to be shared with a wider audience is clearly balderdash. If that were the case, there would be no need to remove the Radio 3 programmes first and replace them with special programmes for new listeners. That's not sharing the programmes with listeners, it's depriving listeners.
And look at R3's so-called 'specialist' programmes: much as The Early Music Show has its devotees and is indeed among the best R3 offers at present, I personally preferred Spirit of the Age and Music Restored, the immediate predecessors. I preferred Paul Guinery's Choirworks to Aled Jones and The Choir. Discovering Music was thoroughly mucked up when it became Charles Hazlewood Discovering Music. Look what's happened to the specialist jazz programming: slightly depleted and most of it up in the graveyard slots.
I think the popularisation probably started with the assault on the specialist programmes. The latest changes are the culmination: it's exactly what RadioCentre accuses the BBC of: ratings by day, reputation by night - certainly the case during the week.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Panjandrum View PostYou'd be surprised how well a decent pair of headphones actually filter out extraneous ambient noise (e.g. wind, abuse from passing motorists) while allowing one to hear important sounds such as the approach of an internal combustion engine, while still being able to enjoy a symphony orchestra in full cry
. Provided one maintains a constant line in traffic, and makes eye contact with other road users, one really has little to worry one on a bike.
Fingers crossed.... Here I go again"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostFingers crossed.... Here I go againIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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ff
Look what's happened to the specialist jazz programming: slightly depleted and most of it up in the graveyard slots.
excuse me ma'am but i beg to differ, R3 jazz programmes have been seriously depleted if you take the demise of Jazz Legends and the excellent Jazz File into account .... these were programmes, like Jazz Library [budget cut] where knowledge and thought were not merely evident but deployed to effect .... now we have Requests, celebrity columnist style presentations and good ol' fashioned record pushing as our main fare ... jazz broadcasting has been eviscerated on R3 ....why? because he can get away with itAccording to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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Originally posted by aka Calum Da Jazbo View Postff
excuse me ma'am but i beg to differ, R3 jazz programmes have been seriously depleted if you take the demise of Jazz Legends and the excellent Jazz File into account .... these were programmes, like Jazz Library [budget cut] where knowledge and thought were not merely evident but deployed to effect .... now we have Requests, celebrity columnist style presentations and good ol' fashioned record pushing as our main fare ... jazz broadcasting has been eviscerated on R3 ....why? because he can get away with it
But I'm very willing to concede that jazz has been given an unacceptable knock, starting back in 2007. I agree with RadioCentre that the programmes that are seen as 'distinctive' and specialist should be given a higher profile and be more integrated into the Radio 3 schedule. And that includes the speech programmes ...
[Is that better? ]It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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i believe Legends and Library were both in existence and the one did not replace so much as survive the other .... it is not the quantity at issue but the ripping out of the quality ...According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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I've just received an email from someone: "11.27am - and Rob's announced, 'Dorothy has just texted in to say that she thinks that [Bruckner's Ninth'] was absolutely wonderful'. "
(That would be the 'Finale' of Bruckner's 9th, I presume, what R3 now thinks of as 'a longer work'.)It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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On Wednesday morning we got Brahms's Schickalslied, Mozart's Prague and Schubert's String Quartet D 887. Yesterday it was Nielsen's 2nd and Beethoven's Op.111 with Arrau,and this morning we heard Weber's Konzertstucke, Berwald's 1st Symphony, and a newly revised version of Bruckner's 9th.
I'm beginning to suspect that some of our stated misgivings about the relentless trivia may have been heard, at least by some of the suits.
Of course. it doesn't do to be too optimistic.
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I have seen playlist items in EC which individually I might have been inclined to listen to, such as the Schubert D887. However there is still the problem of the 'packaging' in which this programme is wrapped, the trivia, the emails/texts, and the prospect of having to wade through this rubbish to get to something worth hearing is for me a major deterrent. Also the concept of 'Essential Classics' is something which I really don't think should be promoted by R3 - it is much too close to what is constantly promoted on CFM, and R3 should not be taking that as a model. What it means is that the same kind of music is heard over and over again, and I want to hear classical music off the beaten track. If not on R3, then where?
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