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Anyway, had an email this a.m. asking why the format had changed this morning. No interview? I said I expected something had gone wrong, since the programme's live.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
I have just retreated to the other room. Suzy announced that the winning companion piece today (for Hamish MacCunn's LOTMATF) would be Dvorak's Ma Vlast. I was intrigued as this was new to me, but it became clear she meant Smetana's. Simple enough mistake......
I have just retreated to the other room. Suzy announced that the winning companion piece today (for Hamish MacCunn's LOTMATF) would be Dvorak's Ma Vlast. I was intrigued as this was new to me, but it became clear she meant Smetana's. Simple enough mistake......
I have just retreated to the other room. Suzy announced that the winning companion piece today (for Hamish MacCunn's LOTMATF) would be Dvorak's Ma Vlast. I was intrigued as this was new to me, but it became clear she meant Smetana's. Simple enough mistake......
I think there was a tactful whisper in her 'phones, as it was Smetana before the piece actually began. Bit of a put down for Pat in Chingford for suggesting Eine Alpensinfonie ("Have ever visited the Alps?")
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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