Originally posted by Ofcachap
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The New Schedule
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Roehre
The new schedule is for me very, very, very reassuring .
Never have to switch on Radio 3 again before midday, as there will never, never, never, be anyting remotely interesting to be broadcast. Rather assuring isn't it, being sure you won't miss anything you might have listened too if you would have known in advance.
The Afternoon on 3 goes for me the same way: with c. in front of the time of beginning of a piece that will be broadcast I most likely won't even be bothered again to switch the radio on, as I might miss the beginning.
Most likely I'll stick to my own collection: no ridiculous chat, exactly offering the music I want at the moment I want, and generally with valuable information from the sleeves/booklets/other documentation in stead of the blabla from (now unfortunately most of) the presenters.
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barber olly
Originally posted by french frank View PostIt looks as if the guest will be present through the week. Another clue will be how complete the playlist will be in advance. What is the point of 'Rob's Essential Choice'? Essential in what sense? Will it be a kind of Beginner's Building a Library, starting from scratch?
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Lateralthinking1
Does this mean that World on 3 is reduced to 90 minutes? I don't think we were told about that in the press release. If that is indeed the case, it has been as much of an onslaught on WM as on jazz when you consider that World Routes will now be at night. I can't see why TTN couldn't still have started at 1am. Surely 5.5 hours is enough for any programme - or would it be difficult to chop around given the sort of syndicated way it is made. And it is probably cheaper!
Any news on The Verb? My hunch is that it will be reduced from 45 to 30 minutes. They have already tried that once.
I think in fairness with regard to the classical music programmes, there has been an attempt at some balance, not that it is very good. The move of PT to Breakfast places the fluff at least in the hands of a traditional presenter although he is not the only one scheduled for that time. Similarly, the mid morning programme goes to RC who I like a lot - if you can't provide me with a spot on radio voice, give me a highly respected and experienced enthusiast! SW is pretty good too. Will she be retained?
Before I took a quick trip around digital this morning - my, how I had forgotten about Gold, Magic, Heart and the 30 other stations whose names all sound like newly introduced brands of coffee - I was interested to hear RC playing a piece that was 17 minutes long. He explained that he had played the 9 minute version on all previous occasions. However, he had been persuaded by his producer apparently to go with this one in all its substance. What was it? Richard Rodgers — Slaughter on Tenth Avenue!!Last edited by Guest; 06-09-11, 10:57.
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barber olly
Originally posted by Roehre View PostThe new schedule is for me very, very, very reassuring .
Never have to switch on Radio 3 again before midday, as there will never, never, never, be anyting remotely interesting to be broadcast. Rather assuring isn't it, being sure you won't miss anything you might have listened too if you would have known in advance.
The Afternoon on 3 goes for me the same way: with c. in front of the time of beginning of a piece that will be broadcast I most likely won't even be bothered again to switch the radio on, as I might miss the beginning.
Most likely I'll stick to my own collection: no ridiculous chat, exactly offering the music I want at the moment I want, and generally with valuable information from the sleeves/booklets/other documentation in stead of the blabla from (now unfortunately most of) the presenters.
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Originally posted by Roehre View Post
Most likely I'll stick to my own collection: no ridiculous chat, exactly offering the music I want at the moment I want, and generally with valuable information from the sleeves/booklets/other documentation in stead of the blabla from (now unfortunately most of) the presenters.Patriotism is supporting your country all the time, and your government when it deserves it.
Mark Twain.
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Roehre
Originally posted by barber olly View PostYes but this is our Radio 3 funded by us we want our bit of it and we want it done right. We could all spend our time playing the riches on our shelves but it would be nice to be able to add on from R3!
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Panjandrum
Originally posted by Ofcachap View Post.....Chinese-born New York-based pianist Lang Lang, who chats to Kirsty Young about her life and personal music picks
(Page 121 of this week's Radio Times)
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Originally posted by Roehre View PostImmediately agreed, as in the past (and that is until c.2005) there were (for me) relatively many surprises (either unknown works, or superb performances) broadcast during daytime, in a way which we now most of the time only find in TtN or CotW (and EMS and H&N, or the Proms with its afternoon repeats during the season)
S-A
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Originally posted by Ofcachap View Post.....Chinese-born New York-based pianist Lang Lang, who chats to Kirsty Young about her life and personal music picks
(Page 121 of this week's Radio Times)
UPDATE: Mr P. Jandrum got there first with the idea, dammit! Cross-posted, ygad"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Serial_Apologist View PostI well up inside when I think that those of us of a certain age, who were once able to benefit in terms of enriching our lives (and hopefully, through us, others') when Radio 3 was what we always the invaluable site we discovered it to be, are now ineluctably placed in a position of drawing up the drawbridge behind us, to leave succeeding generations out in the cultural cold.
S-A
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Originally posted by aeolium View PostBut, S_A, it only follows what our generation has done to the economy and society, leaving a legacy of lasting unemployment, insecurity, delayed and smaller pensions, privatised utilities and all too probably health service and education. Just as ours is the generation that enjoyed subsidised higher education and is now charging heavily for it, it's hardly a surprise that the educated and cultured executives in the BBC are foisting broadcasting dross on the next generation.
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