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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37671

    #61
    Originally posted by vinteuil View Post
    ... I share a fair amount of Frances_iom's point of view. But I think the immediate post-WWII period was exceptional - we benefited so much from the intellectual powerhouse of the refugees from Europe, and of a 'seriousness' and enthusiasm for improvement shown in things like the 1944 Education Act, the Festival of Britain, pelican books, Pevsner, Hans Keller, Isaiah Berlin and the like - a period that is gone for ever. My childhood of the 1950s was rooted in this, but I know that that time is past




    .
    One thing for which I think we have to thank the coming of the internet is the vast number of old documentaries well-meaning people have posted on youtube, offering people today some of those perspectives from that other age.

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    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30280

      #62
      Originally posted by vinteuil View Post
      the intellectual powerhouse of the refugees from Europe, and of a 'seriousness' and enthusiasm for improvement
      There seems to be a generally held view that what is 'serious' cannot also be enjoyabla and entertaining.
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37671

        #63
        Originally posted by french frank View Post
        There seems to be a generally held view that what is 'serious' cannot also be enjoyabla and entertaining.
        That reminds me of Keith Tippett in a radio interview in which the interviewer mentioned that not only did Keith play jazz, but also serious music - to which Keith replied, "I regard all the music I play as being serious"!

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        • french frank
          Administrator/Moderator
          • Feb 2007
          • 30280

          #64
          Originally posted by Serial_Apologist View Post
          That reminds me of Keith Tippett in a radio interview in which the interviewer mentioned that not only did Keith play jazz, but also serious music - to which Keith replied, "I regard all the music I play as being serious"!
          Sixty years ago, maybe longer actually, people would refer to classical music as either 'serious music' or 'good music'. Though I would say a lot of it is either not serious or not good. I imagine the same applies to jazz? I wonder if 'serious' is an appropriate word for music anyway.

          I wasn't referring specifically to the music itself as being serious, but the way it's talked about e.g. the technicalities, the interpretations - and the way it's treated e.g. not bleeding chunk or just the tuneful bits.
          It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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