Celebrity Choice - the latest erosion?

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  • jayne lee wilson
    Banned
    • Jul 2011
    • 10711

    #31
    Originally posted by french frank View Post
    The following week: Conductor Choice. D'you think?
    "Oh God No"...again...

    You've reminded me of a feature on Katie Derham's Proms Extra in IIRC 2019, called - wait for it - "Maestro in a Maestro".....
    Tom Service drove around London with his guest conductor captive in the passenger seat, choosing and talking and raving about their top tracks....

    All I remember now is how very smart Tom's Maestro looked in its perfectly-preserved rattan-beige and black livery. A case of nice car, shame about the....(add appropriate expletives according to choice)...

    Careful now. I'm one of Tom's greatest fans, remember .
    But this feature went beyond appalled fascination, through the beggaring of description, well into "so-bad-its-good" territory...

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    • Nick Armstrong
      Host
      • Nov 2010
      • 26533

      #32
      Originally posted by jayne lee wilson View Post
      You've reminded me of a feature on Katie Derham's Proms Extra in IIRC 2019, called - wait for it - "Maestro in a Maestro".....
      Tom Service drove around London with his guest conductor captive in the passenger seat, choosing and talking and raving about their top tracks....


      Thank heavens that completely passed me by!

      Ranks alongside the best of Alan Partridge’s programme ideas (Inner-City Sumo, Youth-Hostelling with Chris Eubank, Arm-wrestling with Chas & Dave, Monkey Tennis....)
      "...the isle is full of noises,
      Sounds and sweet airs, that give delight and hurt not.
      Sometimes a thousand twangling instruments
      Will hum about mine ears, and sometime voices..."

      Comment

      • french frank
        Administrator/Moderator
        • Feb 2007
        • 30283

        #33
        Originally posted by jayne lee wilson View Post
        beggaring of description, well into "so-bad-its-good" territory...
        Haven't come across "so-bad-it's-good", just "so-awful-it-was-funny".
        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

        Comment

        • jayne lee wilson
          Banned
          • Jul 2011
          • 10711

          #34
          Originally posted by french frank View Post
          Haven't come across "so-bad-it's-good", just "so-awful-it-was-funny".
          A term mostly from The Life Cinematic....(you know me...)....

          Anyone can make a bad movie. But, from The Room to Cats, it takes something special to make a turkey that stands the test of time


          What makes a film so appalling that it transitions from ordinary ineptitude into the sublime; beyond cult status (and all reason) and into that surreal place where you really can't believe what you're watching? RT's regular contributor Michael Adams has a pretty good idea: as part of his new book 'Showgirls, Teen Wolves and Astro Zombies', he spent an entire year seeking out the greatest atrocities cinema has ever unleashed, watching more than 400 bad movies in a quest to to find the worst film ever made. Along the way, he spoke with such bad movie aficionados as John Landis, Joe Dante, Eli Roth, John Waters and the Mystery Science crew, while himself appearing in George Romero's Survival of the Dead. Here then are 25 of his picks for those films that, awful as they may be, you simply cannot turn away from...

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          • eighthobstruction
            Full Member
            • Nov 2010
            • 6437

            #35
            Originally posted by french frank View Post
            Haven't come across "so-bad-it's-good", just "so-awful-it-was-funny".
            ...no i'm not surprised....
            bong ching

            Comment

            • eighthobstruction
              Full Member
              • Nov 2010
              • 6437

              #36
              Originally posted by jayne lee wilson View Post

              All I remember now is how very smart Tom's Maestro looked in its perfectly-preserved rattan-beige and black livery. A case of nice car, shame about the....(add appropriate expletives according to choice)...
              ....must wait for 2021 version Kiri in a Kia.....
              Last edited by eighthobstruction; 24-02-21, 12:02.
              bong ching

              Comment

              • cloughie
                Full Member
                • Dec 2011
                • 22119

                #37
                Originally posted by eighthobstruction View Post
                ....must wait for 2012 version Kiri in a Kia.....
                Or even Gatti in a Bugatti!

                Comment

                • Edgy 2
                  Guest
                  • Jan 2019
                  • 2035

                  #38
                  Originally posted by cloughie View Post
                  It looks like there is another erosion into the Live Concert slot on Radio 3, and a further endorsement of Celebrity Culture.




                  Who is Matafeo?
                  Jeez, there'll soon be nothing left to listen to on Radio 3 at this rate
                  “Music is the best means we have of digesting time." — Igor Stravinsky

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                  • Ein Heldenleben
                    Full Member
                    • Apr 2014
                    • 6779

                    #39
                    On a positive note do you think there’s the slightest change one of them might select something like the Horenstein / LSO Bruckner 8 from the Proms all those years ago?

                    Comment

                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      #40
                      Rose Matafeo's selection:

                      Elgar: Cockaigne (in London Town), Op. 40
                      BBC Philharmonic
                      Andrew Davis, conductor

                      Ravel: Jeux d’eau
                      Zhang Zuo, piano

                      Debussy: La mer
                      BBC Scottish Symphony Orchestra
                      Ilan Volkov, conductor

                      Delius: On hearing the first cuckoo in spring
                      BBC Concert Orchestra
                      Barry Wordsworth, conductor

                      Respighi: Pines of Rome (binaural recording)
                      BBC Philharmonic
                      John Storgards, conductor

                      Bernstein: Sonata for clarinet and piano
                      Annelien Van Wauwe, clarinet
                      Martin Klett, piano

                      Gershwin: An American in Paris
                      BBC Philharmonic
                      Yan Pascal Tortelier, conductor

                      Wagner: Tristan und Isolde – Prelude and Liebestod
                      BBC Philharmonic
                      Vassily Sinaisky, conductor

                      Comment

                      • Ein Heldenleben
                        Full Member
                        • Apr 2014
                        • 6779

                        #41
                        Thanks Bryn - as I suspected all BBC copyright performance -wise so the only real cost that of the interviewee - massively, massively cheaper than a live relay.

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                        • Bryn
                          Banned
                          • Mar 2007
                          • 24688

                          #42
                          Originally posted by Heldenleben View Post
                          Thanks Bryn - as I suspected all BBC copyright performance -wise so the only real cost that of the interviewee - massively, massively cheaper than a live relay.
                          And all pretty safe stuff. I was hoping for something a little more adventurous. Nothing to really complain about, though. Some Philip Dadson would have spiced up the mixture.

                          Comment

                          • french frank
                            Administrator/Moderator
                            • Feb 2007
                            • 30283

                            #43
                            Originally posted by Bryn View Post
                            Nothing to really complain about, though.
                            I haven't listened to the evening concert for years. Has it become a selection of shorter pieces, just occasionally including an entire symphony or concerto? And mixes of chamber music and orchestral music? Or do we just cut them some slack during abnormal times?
                            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                            Comment

                            • Ein Heldenleben
                              Full Member
                              • Apr 2014
                              • 6779

                              #44
                              Originally posted by french frank View Post
                              I haven't listened to the evening concert for years. Has it become a selection of shorter pieces, just occasionally including an entire symphony or concerto? And mixes of chamber music and orchestral music? Or do we just cut them some slack during abnormal times?
                              It’s generally a straightforward concert short piece often contemporary, concerto , symphony . The interval is usually a pot pourri of related pieces . Tonight’s concert concluded with Brahms 1 but I bailed for the delights of Chailly Bruckner 5 and Walter Bruckner 8.
                              The loss of the live relay is very much to be regretted - often the best thing on all day but I suspect there simply isn’t enough live to relay any more...

                              Comment

                              • Roslynmuse
                                Full Member
                                • Jun 2011
                                • 1239

                                #45
                                Surely there are hundreds of concerts in the archives that would be worth repeating, including pieces that haven't been broadcast for decades, and that many listeners won't have in their CD collections or access to via streaming. What is wrong with coherent programmes rather than 'selections'? There's nothing here (apart from the 'celebrity presenter') to distinguish it from morning broadcasting. In fact, it looks more like a 'Full Works' programme from CFM than R3.

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