Philippe Sands
Philippe Sands is a human rights lawyer who recently won the biggest non-fiction prize in the UK, the £30,000 Baillie Gifford Prize, for his book "East West Street: On the Origins of Genocide and Crimes Against Humanity".
I am a fan of this programme, and this edition was probably the most moving I have heard.
He makes links in the programme (as I understand he does in the book noted above) between our fading collective memory of the events of 1933 - 1945, the Nuremberg Trials, the current political drift towards xenophobia and nationalism across Europe and other countries, and, crucially, his own family's history in the Holocaust.
The links he makes with his chosen music - and this is always the highlight for me of Private Passions - are to me extraordinarily interesting. (For example the passion for St Matthew Passion by two men on either side of the arguments at Nuremberg.)
It is a remarkable demonstration of emotional intelligence.
His penultimate choice was the first movement of Mahler 9 in the live recording from January 1938 in the Musikverein by the Vienna Philharmonic under Bruno Walter - 'when everyone present knew what was coming'.
Philippe Sands is a human rights lawyer who recently won the biggest non-fiction prize in the UK, the £30,000 Baillie Gifford Prize, for his book "East West Street: On the Origins of Genocide and Crimes Against Humanity".
I am a fan of this programme, and this edition was probably the most moving I have heard.
He makes links in the programme (as I understand he does in the book noted above) between our fading collective memory of the events of 1933 - 1945, the Nuremberg Trials, the current political drift towards xenophobia and nationalism across Europe and other countries, and, crucially, his own family's history in the Holocaust.
The links he makes with his chosen music - and this is always the highlight for me of Private Passions - are to me extraordinarily interesting. (For example the passion for St Matthew Passion by two men on either side of the arguments at Nuremberg.)
It is a remarkable demonstration of emotional intelligence.
His penultimate choice was the first movement of Mahler 9 in the live recording from January 1938 in the Musikverein by the Vienna Philharmonic under Bruno Walter - 'when everyone present knew what was coming'.
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