Radio 3 Unwind starts on the 4th of November

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  • cloughie
    Full Member
    • Dec 2011
    • 22318

    Does anyone on the forum ever unwind to, or even listen to R3u?

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    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30966

      Originally posted by Serial_Apologist View Post
      It seems today's cultural czars want everyone to forget our rich cultural inheritance and mediate their experience of today's complex world through some kind of cultural amnesia. I guess they feel they can get away with this kind of lap dogging now that the Carters, Goehrs, Maxwell Davises and Stockhausens are gone and out of the (thinking) way.
      Is the problem not that haven't grown to appreciate it themselves? It really isn't any more 'worthy' than the village choir singing My Heart Will Go On or Daft Punk's Get Lucky (have you seen their Wikipedia article? Eat your heart out Schubert).
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

      Comment

      • french frank
        Administrator/Moderator
        • Feb 2007
        • 30966

        I listened for about 5 minutes to Classical Wind Down. Looking at the playlist I was surprised at the proportion of works which simply weren't 'classical' within any known definition (other than that BBC dictionary again). I heard part of 35 (the end), Mary Lattimore, 'Your Glossy Camry' and part of 36 (the beginning), Nick Cave and Warren Ellis, 'Counting the Stars') and looking back over the previous 10 pieces, 7 were not even 'light classical'. Why is it even branded as Radio 3 Unwind?

        Listen without limits, with BBC Sounds. Catch the latest music tracks, discover binge-worthy podcasts, or listen to radio shows – all whenever you want
        Last edited by french frank; 16-03-25, 23:10. Reason: Glitch double-posted
        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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        • LMcD
          Full Member
          • Sep 2017
          • 9083

          'When I use a word ... it means just what I choose it to mean - neither more nor less'.

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          • smittims
            Full Member
            • Aug 2022
            • 4941

            Many years ago Charles Rosen said in an essay 'How to make classical sell: record pop and call it 'classical'. It's clear to me that Sam Jackson doesn't know the difference and is simply in the wrong job. But then so were Stalin and Hitler.

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            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30966

              Originally posted by french frank View Post
              I listened for about 5 minutes to Classical Wind Down.


              https://www.bbc.co.uk/sounds/play/m00255b9
              Now that the entire playlist is available, the grisly statistic is that of 43 pieces, approx. 17 (one can argue about such composers as Einaudi) the mix is 60% non-classical (incl. V. Young, "When I Fall in Love") to 40% classical (incl. Songs My Mother Taught Me transcr. for trumpet). Anything significant to the 60/40 ratio? What we aim for? Hover over the works and, of course, you discover that the longer classical pieces aren't played in full. Did you doubt it?
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • LMcD
                Full Member
                • Sep 2017
                • 9083

                Originally posted by french frank View Post

                Now that the entire playlist is available, the grisly statistic is that of 43 pieces, approx. 17 (one can argue about such composers as Einaudi) the mix is 60% non-classical (incl. V. Young, "When I Fall in Love") to 40% classical (incl. Songs My Mother Taught Me transcr. for trumpet). Anything significant to the 60/40 ratio? What we aim for? Hover over the works and, of course, you discover that the longer classical pieces aren't played in full. Did you doubt it?
                The first words I saw when I clicked on this link were 'Switch off'
                I think we're getting into dangerous territory when the meanings of both 'live' and 'classical' are broadened in this way - will the definition of 'music' be next?
                Last edited by LMcD; 17-03-25, 11:50.

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                • Pulcinella
                  Host
                  • Feb 2014
                  • 11571

                  I find it quite bizarre that just before the 1930 evening concert there's a plug for R3 Unwind.
                  Is the concert really too much for people to handle?
                  Shouldn't they be encouraging people to stay tuned to R3?

                  Comment

                  • Ein Heldenleben
                    Full Member
                    • Apr 2014
                    • 7369

                    Originally posted by Pulcinella View Post
                    I find it quite bizarre that just before the 1930 evening concert there's a plug for R3 Unwind.
                    Is the concert really too much for people to handle?
                    Shouldn't they be encouraging people to stay tuned to R3?
                    Given the quality of that Berg Lyric Suite performance just now the answer is yes .

                    Comment

                    • Pulcinella
                      Host
                      • Feb 2014
                      • 11571

                      Originally posted by Ein Heldenleben View Post

                      Given the quality of that Berg Lyric Suite performance just now the answer is yes .
                      You might be right.....hope things pick up in the rest of the programme!

                      Comment

                      • Ein Heldenleben
                        Full Member
                        • Apr 2014
                        • 7369

                        Originally posted by Pulcinella View Post

                        You might be right.....hope things pick up in the rest of the programme!
                        I meant yes to question 2 i.e. stick with the Berg!

                        Sadly the Adams orchestration of the Debussy was so lumpy in comparison I’ve turned into the Arsenal match

                        Comment

                        • Pulcinella
                          Host
                          • Feb 2014
                          • 11571

                          Originally posted by Ein Heldenleben View Post

                          I meant yes stick with the Berg!

                          Sadly the Adams orchestration of the Debussy was so lumpy in comparison I’ve turned into the Arsenal match
                          Oops.....I gave up and am listening to the Bartok piano concertos (Boulez, DG). I'm actually unwinding quite well.

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