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It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Looking at the schedule it appears that Night Tracks is on Radio Unwind - as well as Radio 3 . Next step replace it on R3 with something sensible and let the Night Trackers switch over to Unwind which has now found its natural home. I can't believe that the BBC - and Radio 3 - are marketing classical music as 'music to go to sleep to'. Is there a more effective way to devalue it? It ranks with playing it in shopping centres to disperse the gangs of late night hooligans.
I turned on R3 for a change this morning, and hit it towards the end of Mendelssohn's MND overture. Next thing up, a bloody trailer for guest what. Hideous, and off R3 goes. Either I was just unlucky, or they trail the thing after every, or almost every item.
I turned on R3 for a change this morning, and hit it towards the end of Mendelssohn's MND overture. Next thing up, a bloody trailer for guest what. Hideous, and off R3 goes. Either I was just unlucky, or they trail the thing after every, or almost every item.
Dislike of the intrusions can make them seem more frequent than they actually are? Although having the presenter doing a 'live' version, as I heard this morning*, does add to the count.
* Tom M suggesting Unwind as some kind of antidote to Remembrance Day happenings...
* Tom M suggesting Unwind as some kind of antidote to Remembrance Day happenings...
Yes, all that clamour of military bands. In our house we just have a 2-min silence - if we Remember.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
I turned on R3 for a change this morning, and hit it towards the end of Mendelssohn's MND overture. Next thing up, a bloody trailer for guest what. Hideous, and off R3 goes. Either I was just unlucky, or they trail the thing after every, or almost every item.
It's not just those dreadful trailers - plugs for Unwind are regularly turning up in presenters' scripts too! So is the current buzzphrase, "Live Music Lives..."!
Sometimes the hors d'oeuvre can ruin the rest of the meal.
Wise words, Serial.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
It's not just those dreadful trailers - plugs for Unwind are regularly turning up in presenters' scripts too! So is the current buzzphrase, "Live Music Lives..."!
Which sometimes provokes me to respond "but not on R3".
I see they're pushing the boat out on Wednesday though - not just a live CE, and a live evening concert, but also an hour of live music during the afternoon slot, plus of course the only consistent weekday live music presence on R3 - In Tune.
Clara Amfo and Jordan Stephens return with more bespoke celebrity playlists; a new space shuttle podcast goes into orbit; Radio 3’s spin-off station takes unwinding to the next level. Plus, the ins and outs of Holst’s Planets
Clara Amfo and Jordan Stephens return with more bespoke celebrity playlists; a new space shuttle podcast goes into orbit; Radio 3’s spin-off station takes unwinding to the next level. Plus, the ins and outs of Holst’s Planets
I assume that the point she highlights that Unwind is a streaming thing,not a radio station, is the reason Ofcom allowed it finally?
The final para about 'How to Play' on R4 seems to me to highlight the muddled 'thinking' of R3 management. On the one hand it wants to make the station more accessible, so dumbs it down, and on the other programmes that educate as well as entertain about music matters are put elsewhere. These days it seems the only chance to learn about the mechanics of musicmaking is the EMS - and even then such opportunities are increasingly few and far between. When musicians do have a programme to themselves it seems the remit is 'My Favourite Music', ie more of the same as the rest of the endless hours of easy listening, not about their instrument and their insights as a performer(and often teacher in some form) into the repertoire, techniques etc.
What would frighten the horses about such a programme being on R3 - after all it is on R4 a speech, not music, station? Given the results of the attempt to attract a new audience, they can't claim that it is too superficial an approach for the R3 remit.
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