Originally posted by Master Jacques
View Post
Classical Live is changing its tune
Collapse
X
-
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
-
-
I have a recording of the Wexford Koanga, but I didn't see it. It's been said to be the most stageworthy , but I wonder if that depends on pre-conceptions of staging. Tippett's operas have taught us that more can be done on stage than we may have thoight.
I think Fennimore and Gerda should work on stage, perhaps not Irmelin. But here, for those who caught the BBC Legends CD of Beecham conducting an orchestral arangement of some of the music at a 1950s Prom, we have what for me is the best bits. The Magic Fountain, glorious music , but maybe dificult to stage, as is any opera where there's a prominent river !
Comment
-
-
Originally posted by smittims View PostI have a recording of the Wexford Koanga, but I didn't see it. It's been said to be the most stageworthy , but I wonder if that depends on pre-conceptions of staging. Tippett's operas have taught us that more can be done on stage than we may have thoight.
......... maybe dificult to stage, as is any opera where there's a prominent river !
Comment
-
-
Originally posted by smittims View PostI have a recording of the Wexford Koanga, but I didn't see it. It's been said to be the most stageworthy , but I wonder if that depends on pre-conceptions of staging. Tippett's operas have taught us that more can be done on stage than we may have thoight.
...........perhaps not Irmelin. But here, for those who caught the BBC Legends CD of Beecham conducting an orchestral arangement of some of the music at a 1950s Prom, we have what for me is the best bits.
Comment
-
-
Originally posted by Roger Webb View PostOver the years of visiting the sights connected with Delius - particularly those in and around Paris - and reading just about all the literature available on the subject, I've built up a mental picture of the composer and his activities.
... always fascinating to suddenly discover people's deep enthusiasms for composers who so far have totally failed to impinge on one's consciousness - looking along the shelves of my (quite extensive collection of) CDs I find it goes from Debussy - Delibes - /// - Desmarest - Dieupart - Dotzauer, with merely a couple of Delii (and they a legacy from a late colleague) : pop highlights - a decca Mackerras twofer and an EMI Sargent 'British Composers' disc.
But do I have the emotional strength to dig deeper?
.
Comment
-
-
Originally posted by vinteuil View Post
... always fascinating to suddenly discover people's deep enthusiasms for composers who so far have totally failed to impinge on one's consciousness - looking along the shelves of my (quite extensive collection of) CDs I find it goes from Debussy - Delibes - /// - Desmarest - Dieupart - Dotzauer, with merely a couple of Delii (and they a legacy from a late colleague) : pop highlights - a decca Mackerras twofer and an EMI Sargent 'British Composers' disc.
But do I have the emotional strength to dig deeper?
.
As the other enthusiasts above have said, there is so much more to Delius than the miniatures we hear most frequently (wonderful as they are). I don't think anyone has yet mentioned Sea Drift, which I find one of the most moving choral works in the repertoire; and Eventyr, which contains a surprise that I don't think any other composer has used. (Let's not spoil it for those who haven't heard it!) On a smaller scale, some of his songs and partsongs are beautiful - Twilight Fancies (another Norwegian setting, originally) and The Splendour Falls and On Craig Ddu are wonderful. And the opening bars of The Song of the High Hills are just magical.
Perhaps these posts could be moved into a Delius thread, if one does not already exist?
Comment
-
-
Originally posted by Roslynmuse View PostPerhaps these posts could be moved into a Delius thread, if one does not already exist?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
Originally posted by french frank View Post
On that I may be able to contribute something ... I would so hate to see the Classical Live thread submerged!
EH - no obscurity as long as people want to keep discussing the topic.It will stay near the top of the list. But I can do whatever people think best.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
Originally posted by Ein Heldenleben View Post
On the contrary he should not be consigned to the obscurity of a composer thread as his operas appear to have been.
As a matter of interest does anyone listen to the CL output? I am stymied by the combination of the running order and schedules being totally useless and Sounds not working on my PC. I assume no-one listens "live" to the radio broadcast, but does anyone pick any of it it up on Sounds?
Comment
-
-
Originally posted by vinteuil View Post
... always fascinating to suddenly discover people's deep enthusiasms for composers who so far have totally failed to impinge on one's consciousness - looking along the shelves of my (quite extensive collection of) CDs I find it goes from Debussy - Delibes -
.
Comment
-
Comment