Well, there was also the Panufnik Polonia, which I'd never heard before and found enjoyable. And, with the Thursday morning from 10:30 Essential Classics with a complete Firebird ballet on the bill of fare, that's three or four swallows - practically a full gulp - leading one to dare to hope for a brighter future.
Sunday Morning
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Originally posted by ferneyhoughgeliebte View PostWell, there was also the Panufnik Polonia, which I'd never heard before and found enjoyable. And, with the Thursday morning from 10:30 Essential Classics with a complete Firebird ballet on the bill of fare, that's three or four swallows - practically a full gulp - leading one to dare to hope for a brighter future.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by ferneyhoughgeliebte View PostWell, there was also the Panufnik Polonia, which I'd never heard before and found enjoyable. And, with the Thursday morning from 10:30 Essential Classics with a complete Firebird ballet on the bill of fare, that's three or four swallows - practically a full gulp - leading one to dare to hope for a brighter future.
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Originally posted by Barbirollians View PostA series on Essential Classics devoted to recordings that used to be on Decca Ace of Clubs would have me tuning in again ! The LPO/Kleiber Pastoral and Moura Lympany Rachmaninov 3 for example .
Incidentally, can someone enlighten me about Ace of Clubs and Ace of Diamonds? I think the former was defunct by the time I started buying classical LPs (late 70s), but the latter was still going (the LSO/Fjeldstadt Grieg Peer Gynt Suite on Ace of Diamonds was one of my first purchases). Was Ace of Clubs a mid-price new release label and Ace of Diamonds for mid-price reissues? I seem to recall AoD being a notch or two above CfP in price.
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Don Petter
Originally posted by underthecountertenor View PostIncidentally, can someone enlighten me about Ace of Clubs and Ace of Diamonds? I think the former was defunct by the time I started buying classical LPs (late 70s), but the latter was still going (the LSO/Fjeldstadt Grieg Peer Gynt Suite on Ace of Diamonds was one of my first purchases). Was Ace of Clubs a mid-price new release label and Ace of Diamonds for mid-price reissues? I seem to recall AoD being a notch or two above CfP in price.
Ace of Diamonds, the equivalent stereo label, started in 1965, being reissues of deleted full price SXL items.
The latter label did include some new recordings, rather than reissues, later in the 1970s.
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For a while I've been thinking that Sunday Morning is a pretty good programme with a good choice of interesting music and well-presented for the most part. However, alarm bells rang this morning. At the time I was listening Rob Cowan seemed to be in full 'interactive' mode reading out tweets and e-mails from people who might've been better off listening rather than tweeting and e-mailing (I really didn't need to know that Hugh thought the Tippett Fantasia was "Corelli murdered", nor that somebody else remembered it being used as a film theme).
But my heart really sank when I heard Rob announce a new feature coming up called 'Sunday Supplement' where listeners choose pieces of music (I must admit I missed the details as I was groaning too loudly). Clearly the Sunday Morning 'interactive' box hasn't been ticked strongly enough. I know one shouldn't pre-judge but did anyone else's heart sink too at the news?
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Originally posted by hmvman View Post...Rob Cowan seemed to be in full 'interactive' mode reading out tweets and e-mails from people who might've been better off listening rather than tweeting and e-mailing
" Not the tempo I'm used to..." or
"Two dodgy notes from the clarinet I think..." or
"Is the pianist listening to the orchestra..." or
"Sooo pale compared with Barbirolli and Gina Lollabrigida on their Feb 1954 78s" or
"Did someone drop something on the floor at bar 168..."
They're just tweets under another name and just as uninteresting
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Roehre
Originally posted by Zucchini View PostBut the same thing happens here. There are endless examples of messages posted whilst live concerts are in full flow and saying useful things like:
" Not the tempo I'm used to..." or
"Two dodgy notes from the clarinet I think..." or
"Is the pianist listening to the orchestra..." or
"Sooo pale compared with Barbirolli and Gina Lollabrigida on their Feb 1954 78s" or
"Did someone drop something on the floor at bar 168..."
They're just tweets under another name and just as uninteresting
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Originally posted by Zucchini View PostBut the same thing happens here. There are endless examples of messages posted whilst live concerts are in full flow and saying useful things like:
" Not the tempo I'm used to..." or
"Two dodgy notes from the clarinet I think..." or
"Is the pianist listening to the orchestra..." or
"Sooo pale compared with Barbirolli and Gina Lollabrigida on their Feb 1954 78s" or
"Did someone drop something on the floor at bar 168..."
They're just tweets under another name and just as uninteresting
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Originally posted by Zucchini View PostThey're just tweets under another name and just as uninteresting[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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