Originally posted by MarkG
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The Eternal Breakfast Debate in a New Place
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Norfolk Born
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Originally posted by Ofcachap View PostA BBC spokespers denied that the extrac were gettin shorte, pointin out that only last wee we heard the whol of Nimro from the Enigma Variatio by Elga. Treats in stor includ bits of thre of Vivaldi's Four Seaso and most of Mercur from the Plane Suit.
As long as we don't have to put up with extracts from either Beetho's or Vau Will's Past Symphonies, Schmidt's Book of 5½ Seals, Schub's Even-More-Than-Usually-Unfinished Symphony, Mahler's Kind Tot, Wag's Parsi (the Zoroastrian opera), Menot's Amahl and the Night Visitor, Cag's 3'59", Carer's A Symph of Two Orchestras or Monologues or be asked to listen to Sarah walk, the future of R3 should be assured.
Anyway, isn't the Plane Suit the one that one reserves to wear when flying Ryanair?
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After the glorious opening of the Monteverdi mass we had a wordless segue into the Albinoni. I was so outraged that I yelled at the radio. This is almost deliberately tricking anyone who knows the mass into anticipating the next movement, then disappointing them (i.e. me!). Perhaps I should be grateful it wasn't Ella Fitzgerald. The least Rob/producers could have done was to have a back announcement and announcement in between. Nul points.
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Paul Sherratt
>>Is this a new strategy?
I undertand that there be plans for coffee items in the evening and maybe even at supper time.
>>I was so outraged that I yelled at the radio
kernel,
Will this event eventually make it to Youtube ?
( For what it's worth I yell at the radio* almost constantly, Sometimes at R3 & very, very often at R4. R2 if on would be one continuous scream )
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Paul Sherratt
vinteuil et autres,
Why is the segue often a positive listening experience with non-classical music but 'insensitive, crass and even vulgar' with classical ?
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Norfolk Born
I'm sure there are perfectly good grounds for the recent increase in the supply of coffee. (Perhaps the idea came from Mr. Bean?)
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Originally posted by Paul Sherratt View Postvinteuil et autres,
Why is the segue often a positive listening experience with non-classical music but 'insensitive, crass and even vulgar' with classical ?
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Originally posted by Paul Sherratt View PostI was so outraged that I yelled at the radio
kernel,Will this event eventually make it to Youtube ? ( For what it's worth I yell at the radio* almost constantly, Sometimes at R3 & very, very often at R4. R2 if on would be one continuous scream)
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Perhaps some listeners might find some of the repertoire on the programme over easy, though the presentation is rarely scrambled and little of the content could be accused of being poached from elsewhere; somehow I cannot quite imagine that extracts from Die Soldaten would go down too well on it, however...
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OK: did I just hear S M-P describe Mozart's Piano Concerto no. 21 as "The Elvira Madigan"?
I know it was used in the 1967 film but I was never aware that the concerto had been christened that title either before the life of the Danish tightrope walker or after the film.
Checking the Wikipedia entry for Elvira Madigan I see there is this sentence:
The soundtrack features the Andante from Piano Concerto No. 21 in C (K 467) by Mozart, which is sometimes informally referred to as the "Elvira Madigan" Concerto.
Ah, now we know where the production staff at Breakfast get their info...O Wort, du Wort, das mir Fehlt!
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Originally posted by Bax-of-Delights View PostOK: did I just hear S M-P describe Mozart's Piano Concerto no. 21 as "The Elvira Madigan"?
I know it was used in the 1967 film but I was never aware that the concerto had been christened that title either before the life of the Danish tightrope walker or after the film.
Checking the Wikipedia entry for Elvira Madigan I see there is this sentence:
The soundtrack features the Andante from Piano Concerto No. 21 in C (K 467) by Mozart, which is sometimes informally referred to as the "Elvira Madigan" Concerto.
Ah, now we know where the production staff at Breakfast get their info...
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