Originally posted by french frank
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The Eternal Breakfast Debate in a New Place
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Originally posted by LMcD View Post
'Inclusive' perhaps in the sense that the broadcaster and listener are jointly enjoying what's on offer?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by oddoneout View Post
I think relatable might be a better term - the idea that the person you are listening to is not that dissimilar to you in terms of their lives and concerns - rather than some distant (possibly alienating) other(like the music), a misperception from which R3 suffers.
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Sadly, FF , there's still plenty of that on BBC Radio4 . Try 'Broadcasting House' 9 am. Sundays, for a group of chums laughing at one anothers' in-jokes. 'Woman's Hour' can be worse on Fridays, with the interviewer laughing so much that we can't hear the interviewee's response to the question.
Then there's the compulsory enjoyment. A burst of Pop racket is followed with 'Wasn't that just divine? I bet that had you dancing round the room!'
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Originally posted by kernelbogey View Post
A friend used to describe the old Third/early R3 presenter style as a man in a darkened room with a pile of LPs. I used to add mentally a dinner jacket and black tie - as in the days of Reith....
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Originally posted by cloughie View PostI’m sure Patricia Hughes would have been less than impressed!
The BBC website had an obituary article that ends:
In Simon Elmes' book, Hello Again: Nine Decades of Radio Voices, Hughes described how she used to spend nights in the radio announcers' dormitory - in a building which has since been converted into the Langham Hotel - and recalled one particularly memorable broadcast.
She told the author:
"By the mercy of God I'd remembered to take a diaphanous negligee to put over my nightie, which I didn't normally do. I rushed down the stairs, tore across Portland Place into Broadcasting House and luckily with about three or four minutes to spare, got into the studio, very breathless. I read the news at nine. Then, at 10, I realised with appalling clarity that I was still in my nightdress, hair in all directions looking like nothing on earth."​
Photo from the Grauniad
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She was mainly an announcer rather than a presenter, but from wiki:
"[W]hen she began presenting the Monday Lunchtime Concerts from St John's, Smith Square in Westminster, London, [u]nder the insistence of Radio 3 controller Ian McIntyre, who objected to her "cut-glass tones", she was forced to retire from the BBC staff in 1983, on reaching the then statutory retirement age of 60.​"It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostShe was mainly an announcer rather than a presenter, but from wiki:
"[W]hen she began presenting the Monday Lunchtime Concerts from St John's, Smith Square in Westminster, London, [u]nder the insistence of Radio 3 controller Ian McIntyre, who objected to her "cut-glass tones", she was forced to retire from the BBC staff in 1983, on reaching the then statutory retirement age of 60.​"
"The Envy of the World", page 276:
Perhaps most memorable was Patricia Hughes's performance, in the character of a garrulous Victorian dame, of some late nineteenth-century monologues, Mrs Caudle's Curtain Lectures.
'What I wanted to do was to go on the stage,' she says, looking back at her early years. 'That was the thing I always longed for.' These readings (and the recordings she has made since retirement from the BBC of books on cassette) show what an outstanding actress was concealed in her Radio 3 microphone personality.​
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Originally posted by french frank View PostThat was /used to be what faintly annoyed me: the suspicion that a work on one programme was chosen in order to provide an opportunity to trail another one....
Does this matter? I'm not sure at all....
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Originally posted by kernelbogey View PostThat seemed what was going on this morning with the Latvian Radio Choir (Silvestrov: To Thee We Sing) followed by a trail for their concert on R3 at 1930.
Does this matter? I'm not sure at all....
UPDATE: First item on EC serves as trail for this afternoon's 'Concert'.Last edited by LMcD; 27-11-23, 09:09.
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Originally posted by LMcD View Post
This sort of thing seems to have become standard practice. A trail this morning for a series on CBeebies, starting this afternoon, that will introduce the very young to the instruments of the orchestra. This was followed by the music that introduced Listen With Mother. Oh, yes - and there's yet another trail for Dr Who airing as I write.
UPDATE: First item on EC serves as trail for this afternoon's 'Concert'.
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Originally posted by Serial_Apologist View Post
Not strictly true, to be pedantic - what they played was an orchestrated version of the tune, whereas the actual version for LWM was Fauré's own two-piano one. I am old enough to know because I remember it!
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Originally posted by kernelbogey View PostThat seemed what was going on this morning with the Latvian Radio Choir (Silvestrov: To Thee We Sing) followed by a trail for their concert on R3 at 1930.
Does this matter? I'm not sure at all....
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