Originally posted by Old Grumpy
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The Eternal Breakfast Debate in a New Place
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Originally posted by LMcD View Post
BBC Radio 3 is well on the way to becoming 'The Home Of Popular Classical Music' - RVW's Lark is ascending yet again at the moment.
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Originally posted by LMcD View Post
BBC Radio 3 is well on the way to becoming 'The Home Of Popular Classical Music' - RVW's Lark is ascending yet again at the moment.
More Larks on the radio than there on the average farm . And vastly more cuckoos come to that.
They have just played the Oboe Concerto on Sunday Morning- that rarely gets an outing
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Originally posted by Ein Heldenleben View Post
Classic FM ‘s Best Tune for years in a row and , as you say , very overplayed .
More Larks on the radio than there on the average farm . And vastly more cuckoos come to that.
They have just played the Oboe Concerto on Sunday Morning- that rarely gets an outing
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Originally posted by Ein Heldenleben View PostClassic FM ‘s Best Tune for years in a row and , as you say , very overplayed .It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by LMcD View PostAs Time Goes By, he certainly will.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by cloughie View Post
I don’t tire of hearing it - but then I choose when I want to listen to it by largely abandoned listening to R3!
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Well, I don't know what you know but I don't think that's a fair description of the piece. There is more to it than that: the middle section for instance. And I think the apparently static nature of the work is intentional , as is , for instance,the second movement of Beethoven's violin concerto: they're both about 'being' rather than 'becoming'.
I've never thought of it as overplayed, perhaps because I don't listen ot CFM and not much to R3, or because I can remember a time when there was no available recording in the UK, (between the deletion of Boult 1 and the issue of Boult 2.)
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Originally posted by smittims View PostWell, I don't know what you know but I don't think that's a fair description of the piece. There is more to it than that: the middle section for instance. And I think the apparently static nature of the work is intentional , as is , for instance,the second movement of Beethoven's violin concerto: they're both about 'being' rather than 'becoming'.
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Yes, ironically I had to wait for the start of Radio 3 to hear it at all!
The Bean/Boult has for so long been regarded as the classic recording that listeners may imagine they'd been playing it together for years, but in fact when Sir Adrian asked Hugh Bean to record it he said he didn't know it and had to learn it for the session.
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Originally posted by smittims View PostYes, ironically I had to wait for the start of Radio 3 to hear it at all!
The Bean/Boult has for so long been regarded as the classic recording that listeners may imagine they'd been playing it together for years, but in fact when Sir Adrian asked Hugh Bean to record it he said he didn't know it and had to learn it for the session.
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