The Eternal Breakfast Debate in a New Place

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  • LMcD
    Full Member
    • Sep 2017
    • 8396

    Originally posted by underthecountertenor View Post
    I got rather lost in the sub-clauses of your second sentence, but you seem to be assuming that only the finale was played. I'm not sure on what basis you make that assumption, but I can assure you that the whole sonata was played.

    As for the references to 'crawling up to the highest octaves of enthusiasm' and 'squeaky gasps of astonishment', I heard the conversation in question and your description strikes me as both exaggerated and (coming the day after IWD) unfortunately gender-prejudiced.
    I can confirm that the whole sonata was played. However, the playlist on the 3Breakfast home page says that only the last movement was played....

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    • underthecountertenor
      Full Member
      • Apr 2011
      • 1584

      Originally posted by french frank View Post
      Clemency was last on at the end of January, and it may well be that as a very busy person she has been engaged on other projects during February. The fact that Petroc is the longest standing/permanent presenter, doesn't quite make it 'his show': it means the BBC is finding some difficulty finding women suitably qualified to act as a permanent counterpart (as CBH and SMP have been in the past).
      I haven't done a count, but I had the very strong impression that Clemency's 'busyness' elsewhere meant that her appearances during 2017 were well below 50% of the whole (counting only weekdays). Again Petroc seemed to me to be the single 'permanent' presenter, with Clemency being just one of the stand-ins on the relatively rare occasions when he took a day or a week off (Ian and Georgia being the most prominent of the others in order of frequency).

      Petroc is back next week, apparently, and the pattern in very recent weeks seems to have been two weeks on, one week off.

      Comment

      • underthecountertenor
        Full Member
        • Apr 2011
        • 1584

        Originally posted by LMcD View Post
        I can confirm that the whole sonata was played. However, the playlist on the 3Breakfast home page says that only the last movement was played....
        Ah, that would explain the assumption. Fair enough. Thanks, LMcD.

        Comment

        • french frank
          Administrator/Moderator
          • Feb 2007
          • 30206

          At the same time that music becomes ubiquitous - and seemingly socially 'indispensable' - its intrinsic value is also downgraded; and Radio 3 goes along with that. Presenters are 'key' (more important than they were), guests brighten up music programmes explaining what music means to them, listeners chip in with their personal contributions, programme trails are to be inserted at regular intervals. And some music, truncated if possibly too long, must fit in between the important stuff.
          It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

          Comment

          • antongould
            Full Member
            • Nov 2010
            • 8774

            Originally posted by Brassbandmaestro View Post
            I have begun to respect Georgia Mann quite a lot. I think she should have taken over from RC when he left. She's much better than ian Skelly.
            ...... Close to fighting talk that bbm ........

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            • teamsaint
              Full Member
              • Nov 2010
              • 25190

              Originally posted by underthecountertenor View Post
              I got rather lost in the sub-clauses of your second sentence, but you seem to be assuming that only the finale was played. I'm not sure on what basis you make that assumption, but I can assure you that the whole sonata was played.

              As for the references to 'crawling up to the highest octaves of enthusiasm' and 'squeaky gasps of astonishment', I heard the conversation in question and your description strikes me as both exaggerated and (coming the day after IWD) unfortunately gender-prejudiced.
              Given Ferney’s relentless championing of women composers, and equality of opportunity in music, ( to name but two aspects of his liberal credentials) I’d suggest that you are seeing something that isn’t there.

              Not sure what the proximity to IWD has to do with it either.
              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

              I am not a number, I am a free man.

              Comment

              • french frank
                Administrator/Moderator
                • Feb 2007
                • 30206

                I think I did well. I listened to the first 40 minutes or so. But could stand no more.

                Just for me (that's me, myself, my opinion based on my own personal tastes) an awful, awful programme which desecrates the music and can scarcely settle down to anything for more than five minutes before it goes off on to something else. And I didn't even hear the exchange with KD.
                It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                Comment

                • Andrew Slater
                  Full Member
                  • Mar 2007
                  • 1788

                  Originally posted by french frank View Post
                  I think I did well. I listened to the first 40 minutes or so. But could stand no more.

                  And I didn't even hear the exchange with KD.
                  Just as well - they witter on and on and on and on and on and on and on and on ..... and then the ensuing Piazzolla piece is faded out - and then yet more wittering! Sickening!
                  Last edited by Andrew Slater; 09-03-18, 21:32.

                  Comment

                  • LMcD
                    Full Member
                    • Sep 2017
                    • 8396

                    Originally posted by french frank View Post
                    I think I did well. I listened to the first 40 minutes or so. But could stand no more.

                    Just for me (that's me, myself, my opinion based on my own personal tastes) an awful, awful programme which desecrates the music and can scarcely settle down to anything for more than five minutes before it goes off on to something else. And I didn't even hear the exchange with KD.
                    Consider yourself lucky....Gosh, it was gushy!

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      Originally posted by antongould View Post
                      ...... Close to fighting talk that bbm ........
                      Thanks. i don't think she's gushy, either. Nothing like KD!!
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20569

                        Originally posted by french frank View Post
                        (I think I might have emitted audible gasps in those circumstances.)
                        Gasping for breath is now an essential requirement for R3 presenters. Even Ian Skelly has lost the ability to breath at the end of sentences, during semi-colons, etc.

                        ... though the other day, I began to think there was a more serious issue - dangerous gases in the studio perhaps?

                        Comment

                        • antongould
                          Full Member
                          • Nov 2010
                          • 8774

                          Interested to find where Alkers sits in the Gushing and Gasping charts ..... but as she has just played Jack Robson's wonderful Cheviot Hills sung by the Lord of Seaham Harbour she'll do for me Geordie ......

                          Comment

                          • french frank
                            Administrator/Moderator
                            • Feb 2007
                            • 30206

                            No one would deny (I imagine) that individual items are respectable - even very welcome. But the package, Lord Gould, the package:

                            Johann Strauss II Voices of Spring (at least they've stopped calling him Johann Sebastian Strauss)
                            JS Bach BWV 974 (one movement) played by your uncle
                            Fast forward to RVW Serenade to Music (oops, surely some mistake - it looks like the whole thing; still under 15 minutes)
                            A couple of Geordie songs, because we're in Gateshead
                            Fast backward to Telemann
                            Bizet, Rautavaara, Schubert D899/3, Waxman (ooh, Carmen Fantasy - nice), another bit of another Bach, Britten, another bit of folk followed by Wolfgang Amadeus, triumphantly topped by B Herrman's North by Northeast Northwest

                            I can't be the only person, surely, who can't cope with this, I think the phrase is pot pourri - with the emphasis on the pourri. I don't understand the point of listening to it.

                            [Huge apology for 'slagging off' the damn programme again)

                            Originally posted by antongould View Post
                            Interested to find where Alkers sits in the Gushing and Gasping charts ..... but as she has just played Jack Robson's wonderful Cheviot Hills sung by the Lord of Seaham Harbour she'll do for me Geordie ......
                            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                            Comment

                            • Eine Alpensinfonie
                              Host
                              • Nov 2010
                              • 20569

                              Originally posted by french frank View Post
                              A couple of Geordie songs, because we're in Gateshead
                              Er, quite.

                              And they've been ramming home Sagegateshead all morning so far.

                              Guess what most of the locals call it? You've got it: "The Sage".

                              Comment

                              • BBMmk2
                                Late Member
                                • Nov 2010
                                • 20908

                                Originally posted by Eine Alpensinfonie View Post
                                Er, quite.

                                And they've been ramming home Sagegateshead all morning so far.

                                Guess what most of the locals call it? You've got it: "The Sage".
                                Ridiculous amount I think too!
                                Don’t cry for me
                                I go where music was born

                                J S Bach 1685-1750

                                Comment

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