Originally posted by Nick Armstrong
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Originally posted by Nick Armstrong View PostBefore my R3 time but there’s a lovely blast from the past in the recording attached to this tweet:
of John Holmstrom genially advising of overnight changes to MW frequencies for R3, exactly 43 years ago
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Originally posted by underthecountertenor View PostAnd here’s Cormac Rigby the following morning.
https://twitter.com/Radiojottings/st...186633219?s=20
I prefer the drier, sunlit Holmstrom-Skelly uplands (I assume that’s who you were referring to, ff?)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Nick Armstrong View Post
I prefer the drier, sunlit Holmstrom-Skelly uplands (I assume that’s who you were referring to, ff?)
Originally posted by Barbirollians View PostDidn’t he leave to become a monk ?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Nick Armstrong View PostBlimey, a bit precious! That florid furrow is still being worked by Sean Rafferty, it seems to me
I prefer the drier, sunlit Holmstrom-Skelly uplands (I assume that’s who you were referring to, ff?)
Here's an interesting piece on Rigby's life and career:
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Originally posted by underthecountertenor View PostBut then I like Rafferty.
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Originally posted by oddoneout View PostI had to stop listening to In Tune because although I didn't doubt he was a lovely chap I just found his rambling difficult, and his interviews with people whose language was not English excruciating, to the point where any pleasure from the music/performers disappeared completely.
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Originally posted by jayne lee wilson View PostWhy were those interviews "excruciating"?
If I may chip in, I often found them so because he would lace his questions with flowery and obscure polysyllabic language that (as well as being silly and egotistical) was basically impolite to people attempting to do a live interview not in their first language. Poor broadcasting."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Nick Armstrong View Post
If I may chip in, I often found them so because he would lace his questions with flowery and obscure polysyllabic language that (as well as being silly and egotistical) was basically impolite to people attempting to do a live interview not in their first language. Poor broadcasting.
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Originally posted by kernelbogey View PostTotally agree... and so I never listen to the programme.
Same here, hence the past tense in my post. I assume he still does it but I wouldn’t know…"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Nick Armstrong View PostI assume he still does it but I wouldn’t know…It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by jayne lee wilson View PostWhy were those interviews "excruciating"?
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Originally posted by oddoneout View PostThe combination of his rambling sentences and his accent meant than the interviewees struggled to extract the question he was asking and then needed time to put together an answer, not helped by him jumping in with more verbiage/questions, observations while they were still trying to cope with the first lot.
I love a bit of extempore enthusiasm....
BTW, (just a random thought of course)....... which accent, do you imagine, would his interviewees have found easier to comprehend?Last edited by jayne lee wilson; 26-11-21, 15:41.
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