Opera on 3 - Live from the Met: Rossini's "Armida"

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20564

    Opera on 3 - Live from the Met: Rossini's "Armida"

    Saturday, 5th March, 2011 - 18:00 –21:45

    From the Metropolitan Opera, New York. Riccardo Frizza conducts.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20564

    #2
    Well, this went down like a lead balloon. Will anyone be listening? I don't know the work at all.

    Comment

    • Flosshilde
      Full Member
      • Nov 2010
      • 7988

      #3
      I will, definitely. Rossini's serious operas aren't heard often enough.

      Comment

      • kernelbogey
        Full Member
        • Nov 2010
        • 5647

        #4
        I will be listening - I generally listen to Met broadcasts when I'm in on a Saturday night (quite often, actually ). I have often heard extracts on R3 and don't know it at all or even what the libretto is about. Will investigate during the day. Thanks for the heads up AS. (Did you finish that pack of Muesli? )

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20564

          #5
          Originally posted by kernelbogey View Post
          Thanks for the heads up AS. (Did you finish that pack of Muesli? )
          You're welcome, KB.

          Comment

          • kernelbogey
            Full Member
            • Nov 2010
            • 5647

            #6
            Originally posted by kernelbogey View Post
            I have often heard extracts on R3
            Untrue - I had a senior moment and got muddled up with some Handel opera. This should be a treat with Renee Fleming in the title role.

            Comment

            • vinteuil
              Full Member
              • Nov 2010
              • 12671

              #7
              Originally posted by kernelbogey View Post
              got muddled up with some Handel opera. .
              There must be more Armide operas than any other - Gluck, Lully, Haydn all had a go... any others?

              If I can I shall certainly try and give the Rossini a hearing - I agree that we don't hear his serious operas nearly enough; I think they are undervalued.

              Comment

              • vinteuil
                Full Member
                • Nov 2010
                • 12671

                #8
                ... wiki rushes to answer my question -

                The story of Armida and Rinaldo has been the basis for several operas:

                Armide (1686) by Jean-Baptiste Lully
                Rinaldo (1711) by Handel
                Armida al campo d'Egitto (1718) by Vivaldi
                Armida abbandonata (1770) by Jommelli
                Armida (1771) by Salieri
                Armida (1772) by Sacchini
                Armide (1777) by Gluck
                Armida (1779) by Mysliveček
                Renaud (1783), also by Sacchini
                Armida (1784) by Haydn
                Armida (1817) by Rossini
                Armida (1904) by Dvořák
                Armida (2005) by Judith Weir
                Brahms composed a cantata entitled Rinaldo based on the story.

                Comment

                • Flosshilde
                  Full Member
                  • Nov 2010
                  • 7988

                  #9
                  Heavens, Vinteul, I knew about Handel's Rinaldo of course , but had no idea there were so many others!

                  Comment

                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20564

                    #10
                    Originally posted by vinteuil View Post
                    There must be more Armide operas than any other - Gluck, Lully, Haydn all had a go... any others?
                    .
                    Surely "Orpheus and Euridice" has had even more outings.

                    Comment

                    • Flosshilde
                      Full Member
                      • Nov 2010
                      • 7988

                      #11
                      Well, I did enjoy it - the opening of Act 3 was beautiful - pity the singing didn't live up to the music.

                      Comment

                      • LeMartinPecheur
                        Full Member
                        • Apr 2007
                        • 4717

                        #12
                        Originally posted by Eine Alpensinfonie View Post
                        Surely "Orpheus and Euridice" has had even more outings.
                        EA: that seems a fair bet! My opera dictionary says Armida has generated about 40 operas. It doesn't give a comparable number for Orpheus but its listing looks like 60-odd judging by column-length...

                        ...and that doesn't even include Sir Harrison Birtwistle's contributions
                        I keep hitting the Escape key, but I'm still here!

                        Comment

                        • vinteuil
                          Full Member
                          • Nov 2010
                          • 12671

                          #13
                          wiki provides the following for operas on the Orpheus story -

                          1600 - Jacopo Peri – Euridice, the first genuine opera whose music survives to this day.
                          1602 - Giulio Caccini – Euridice
                          1607 - Claudio Monteverdi – Monteverdi's L'Orfeo, widely regarded as the first operatic masterwork.
                          1616 - Domenico Belli - Orfeo dolente, a set of intermedi presented between the acts of Tasso's Aminta
                          1619 - Stefano Landi – La morte d'Orfeo
                          1638 - Heinrich Schutz - "Orpheus und Euridice" (music lost)
                          1647 - Luigi Rossi – Orfeo, one of the first operas to be performed in France. Rossi's own wife died while he was composing the score.
                          1654 - Carlo d'Aquino – Orfeo
                          1659 - Johann Jakob Löwe von Eisenach – Orpheus von Thracien
                          1672 - Antonio Sartorio – Orfeo
                          1673 - Matthew Locke - Orpheus and Euridice, a masque presented between the acts of Elkanah Settle's The Empress of Morocco
                          1676 - Giuseppe di Dia – Orfeo
                          1677 - Francesco della Torre – Orfeo
                          1683 - Johann Philipp Krieger – Orpheus und Eurydice
                          1683 - Antonio Draghi – La lira d' Orfeo
                          c 1685 - Marc-Antoine Charpentier – La descente d'Orphée aux enfers
                          1689 - Bernardo Sabadini – Orfeo
                          1690 - Louis Lully – Orphée
                          1698 - Reinhard Keiser – Die sterbende Eurydice oder Orpheus
                          1699 - André Campra – Orfeo nell'inferni
                          1701 - John Weldon – Orpheus and Euridice
                          1715 - Johann Joseph Fux – Orfeo ed Euridice
                          1722 - Georg Caspar Schurmann - "Orpheus"
                          1726 - Georg Philipp Telemann – Orpheus
                          1740 - John Frederick Lampe – Orpheus and Eurydice
                          c. 1740 - Jean-Philippe Rameau – (unfinished project)
                          1749 - Giovanni Alberto Ristori – I lamenti d'Orfeo
                          1750 - Georg Christoph Wagenseil – Euridice
                          1752 - Carl Heinrich Graun – Orfeo
                          1762 - Christoph Willibald Gluck – Orfeo ed Euridice (French version, Orphée et Euridice, 1774)
                          1767 - François Hippolyte Barthélemon – The Burletta of Orpheus
                          1775 - Antonio Tozzi – Orfeo ed Euridice
                          1776 - Ferdinando Bertoni – Orfeo ed Euridice (to the same libretto as Gluck's more famous work)
                          1781 - Luigi Torelli – Orfeo
                          1785 - Friedrich Benda – Orpheus
                          1786 - Johann Gottlieb Naumann – Orpheus og Eurydice
                          1788 - Carl Ditters von Dittersdorf – Orpheus der Zweyte
                          1788 - Johann Friedrich Reichardt – Orpheus
                          1789 - Vittorio Trento – Orfeo negli Elisi
                          1791 - Joseph Haydn – L'anima del filosofo, ossia Orfeo ed Euridice
                          1791 - Ferdinando Paer – Orphée et Euridice
                          1792 - Peter Winter – Orpheus und Euridice
                          1793 - Prosper-Didier Deshayes – Le petit Orphée (parody of Gluck's opera)
                          1796 - Luigi Lamberti – Orfeo
                          1796 - Francesco Morolin – Orfeo ed Euridice
                          c.1796, before 1797 - Antoine Dauvergne – Orphée (not performed)
                          1798 - Gottlob Bachmann – Der Tod des Orpheus/Orpheus und Euridice
                          1802 - Carl Conrad Cannabich – Orpheus
                          1807 - Friedrich August Kanne – Orpheus
                          1813 - Ferdinand Kauer – Orpheus und Euridice, oder So geht es im Olympus zu
                          1814 - Marchese Francesco Sampieri – Orfeo (cantata?)
                          1858 - Jacques Offenbach - Orphée aux enfers
                          1860 - Gustav Michaelis – Orpheus auf der Oberwelt
                          1867 - Karl Ferdinand Konradin – Orpheus im Dorfe (operetta)
                          1907 - Fernando de Azevedo e Silva – A morte de Orfeu
                          1907–16 - Claude Debussy – (unfinished project)
                          1913 - Jean Roger-Ducasse – Orphée, premiered at the Opéra Garnier in a production mounted by Ida Rubinstein.
                          1925 - Gian Francesco Malipiero – L'Orfeide, cycle in three parts: I.La morte delle maschere, II.Sette canzoni, III. Orfeo
                          1925 - Darius Milhaud – Les malheurs d'Orphée, chamber opera with a libretto by Armand Lunel
                          1926 - Ernst Krenek – Orpheus und Eurydike
                          1932 - Alfredo Casella – La favola d'Orfeo, chamber opera after Poliziano's L'Orfeo
                          1951 - Pierre Schaeffer - Orphée 51
                          1953 - Pierre Schaeffer, Pierre Henry - Orphée 53
                          1956 - Tom Jobim, Vinícius de Moraes – Orfeo da Conceição (translated to cinema as Black Orpheus)
                          1978 - Hans Werner Henze – Orpheus (Viennese version 1986)
                          1986 - Harrison Birtwistle – The Mask of Orpheus
                          1993 - Philip Glass – Orphée, chamber opera with a libretto adapted by the composer from Jean Cocteau's film of the same name
                          1996 - Lorenzo Ferrero - La nascita di Orfeo, musical action in one act, libretto by Lorenzo Ferrero and Dario Del Corno, premiered at the Teatro Filarmonico
                          2005 - Ricky Ian Gordon – Orpheus and Euridice, an hour-long song cycle in two acts
                          2010 - Anais Mitchell - Hadestown, a 'folk opera' set in Depression era America (recording released 2010)

                          Comment

                          • greenilex
                            Full Member
                            • Nov 2010
                            • 1626

                            #14
                            I thought the ballet music from the middle act of Armida was gorgeous. I understand why the Met employees couldn't stop whistling / singing it. They say earworm, we say "got it on the brain".

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