Hippolyte et Aricie at Glyndebourne
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Caliban:
Will be togging up and scooting along on August 1st. Is that your day as well?
The reviews on the Glyndebourne website are mixed but not as damning as the reviews for Ariadne which were nearly 100% against. I see that by yesterday morning there were still 105 seats available for purchase for last night's Ariadne...and for H&A on August 1st there are still some 120 seats on offer. There would seem to be a fair amount of resistance to these productions.
To counter our disappointment with Ariadne (I doubt that production will ever see the light of day again) we snaffled a couple of restricted view seats for Marriage of Figaro at £75 each for the end of July.O Wort, du Wort, das mir Fehlt!
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Originally posted by verismissimo View PostEyes wide shut, thinking of England, Cali. As so often necessary.
PS: Baxo: I think we're at the one after that."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Might go to the relay. The music is pleasant. Our seats in the hall had a very restricted view, so at least in the cinema we should be able to see inside the fridge and maybe around the sides. Diana sings at length suspended above the stage near the end.
Verdi's Falstaff was perhaps the best of this year's offerings which we saw. Ariadne - well with one's eyes shut the last half hour was sublime, but the goings on stagewise were totally whacky.
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Originally posted by ardcarp View PostIs this all part of the willing suspension of disbelief?
Either that or the work of a tuxedo'd lynch mob"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Caliban
Will this bring your heart back out of your boots? Or….
Hippolyte et Aricie was Rameau's first work for the stage, written when he was nearly 50 and first performed in Paris in 1733. Glyndebourne's new production - its first ever Rameau - is directed by Jonathan Kent, designed by Paul Brown and conducted by William Christie, "the greatest Rameau interpreter of our time".
I think I’ll stick to Emmanuel Haim’s (for the time being).
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
All the same, I am very much looking forward to reading your and BoD’s reviews.
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Originally posted by doversoul View PostCaliban
Will this bring your heart back out of your boots? Or….
Hippolyte et Aricie was Rameau's first work for the stage, written when he was nearly 50 and first performed in Paris in 1733. Glyndebourne's new production - its first ever Rameau - is directed by Jonathan Kent, designed by Paul Brown and conducted by William Christie, "the greatest Rameau interpreter of our time".
I think I’ll stick to Emmanuel Haim’s (for the time being).
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
All the same, I am very much looking forward to reading your and BoD’s reviews.
Having had a taster of Rameau live in the RAH on Sunday, I'm just looking forward to the music, nothing else...
(although I seem to be the only person in the world with an allergy to Sarah Connolly's voice )"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post
Having had a taster of Rameau live in the RAH on Sunday, I'm just looking forward to the music, nothing else...
(although I seem to be the only person in the world with an allergy to Sarah Connolly's voice )
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Originally posted by doversoul View PostCaliban
Will this bring your heart back out of your boots? Or….
Hippolyte et Aricie was Rameau's first work for the stage, written when he was nearly 50 and first performed in Paris in 1733. Glyndebourne's new production - its first ever Rameau - is directed by Jonathan Kent, designed by Paul Brown and conducted by William Christie, "the greatest Rameau interpreter of our time".
(& talking of h(e)arts, I notice that one scene has a stag hanging halfway up the wall. Most people are satisfied with having just the head ...)
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Originally posted by Flosshilde View PostAre you suggesting that Cali's heart will leap at the sight of lots of nice young men cavorting in their Y-fronts?
I was looking at the meat and veg, I didn't see the Y-fronts.... ahem ...erm... I mean....
.... what I mean is, I only remember giant cauliflowers and sausages, were there actual humans in that clip?
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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I saw H&A last Thursday. It was a marvellous evening. We were a party of eight; and all of us came out on a high. There were, in truth, some aspects of the production which I might have wished different; but the whole thing was carried off with great panache, and much of the production impressed greatly. The music was marvellous; the singing was marvellous; the conducting was marvellous; and needless to say, the OAE played marvellously. I shall be going again in August, and am looking forward to it very much.
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