Originally posted by Mandryka
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Conquering Wagner.
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Mandryka
Originally posted by David-G View PostI think many Israelis would be surprised at their country being referred to as a "cultural desert". Be that as it may, I am surprised by your use of the term "bigoted". Do you not understand the reason for the attitude of many Israelis to Wagner?
If these bigoed Israelis bothered to do a bit of elementary research, they'd discover that the composer they are so dead set against actually employed Jews in prominent positions in his own opera house - pace, his own bigoted statements about 'Jewishness in Music'.
Besides which, RW can hardly be held responsible for the actions of his 'fans', can he?
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Originally posted by Mandryka View PostAt a push I can understand it, but I have absolutely no sympathy whatsoever with it.
If these bigoed Israelis bothered to do a bit of elementary research, they'd discover that the composer they are so dead set against actually employed Jews in prominent positions in his own opera house - pace, his own bigoted statements about 'Jewishness in Music'.
Besides which, RW can hardly be held responsible for the actions of his 'fans', can he?
I can understand, even if you cannot, that people who either themselves or whose loved ones have been through the searing experience of the Holocaust, may hold views on this matter that are not altogether rational. And I would be charitable toward such views, even though I do not agree with them.
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I have just returned from a marvellous evening at the Festival Hall. The Zurich Philharmonia and Opera House Chorus perfomed The Flying Dutchman. A wonderful young conductor, Alain Altinoglu, whom I had not come across before, conducted with great verve and precision. The chorus sang superbly. There was a wonderful set of soloists. Bryn Terfel was a magnificent Dutchman, Anja Kampe was a model of a Wagner soprano as Senta. The Steersman, although a minor role, was sung most musically by Fabio Trumpy. I greatly enjoyed his aria in the first act. Everyone sang without scores, and the soloists acted their roles at the front of the stage. The whole was a convincing and often thrilling drama, and there was no producer to wreck everything with a "concept". The full Festival Hall responded with a standing ovation.
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Mandryka
Originally posted by David-G View PostI have just returned from a marvellous evening at the Festival Hall. The Zurich Philharmonia and Opera House Chorus perfomed The Flying Dutchman. A wonderful young conductor, Alain Altinoglu, whom I had not come across before, conducted with great verve and precision. The chorus sang superbly. There was a wonderful set of soloists. Bryn Terfel was a magnificent Dutchman, Anja Kampe was a model of a Wagner soprano as Senta. The Steersman, although a minor role, was sung most musically by Fabio Trumpy. I greatly enjoyed his aria in the first act. Everyone sang without scores, and the soloists acted their roles at the front of the stage. The whole was a convincing and often thrilling drama, and there was no producer to wreck everything with a "concept". The full Festival Hall responded with a standing ovation.
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