Platée

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  • MickyD
    Full Member
    • Nov 2010
    • 4748

    Platée

    I caught a wonderful live transmission of a new production of Rameau's Platée last night from the Opéra Garnier in Paris, with Mark Minkowski conducting. I'm not usually a fan of modern productions, but this was somehow daft in exactly the right way, matching the comedy of the piece. A dancer in terrific frog costume appeared in the balcony during the opening music to the second act and proceeded to weave his way through the orchestra before grabbing the baton from Minkowski!

    Mention should be made of Lawrence Brownlee in the title rôle, who said that it was the most challenging part he's ever played, and from his performance you can understand why.

    It was broadcast on Culturebox, another excellent free to view French channel - would that the BBC had something similar instead of inflicting the dreaded 'yoof' BBC3 and axing BBC4. I think it can also be viewed on the Mezzo channel. Well worth watching, excellent singing and playing. It brought the house down at the end.
  • bluestateprommer
    Full Member
    • Nov 2010
    • 3008

    #2
    Found this Mezzo TV link for this production:



    I'd seen this Laurent Pelly staging at Santa Fe Opera back in 2007 (!), with Jean-Paul Fouchecourt as Platee.

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    • AuntDaisy
      Host
      • Jun 2018
      • 1621

      #3
      Thanks MickyD & bluestateprommer.

      Is it this video? (Not sure it's a legitimate Opera website.)


      Found the frog baton nicker ~2:36:30 (~156mins). Brilliant! What does Mark M say afterwards?
      Looking forward to watching this.
      Last edited by AuntDaisy; 23-06-22, 09:42. Reason: Added frog

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      • RichardB
        Banned
        • Nov 2021
        • 2170

        #4
        That production has been around for a while. It was released on DVD in 2002 with Paul Agnew in the title role.

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        • AuntDaisy
          Host
          • Jun 2018
          • 1621

          #5
          Originally posted by RichardB View Post
          That production has been around for a while. It was released on DVD in 2002 with Paul Agnew in the title role.
          Thanks RichardB. The 2002 production is on YouTube.
          COMPOSITEUR Jean-Philippe RAMEAULIBRETTISTE Adrien-Joseph Le Valois d’OrvilleORCHESTRE ET CHOEUR Les Musiciens du Louvre / Marc MinkowskiMISE EN SCENE ET COS...


          Those costumes have lasted well

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          • MickyD
            Full Member
            • Nov 2010
            • 4748

            #6
            Thanks folks, I didn't know this had already been staged...I caught it on Tuesday night, a live transmission as part of France's Fête de la Musique célébrations. Must try and watch again to hear what Minkowski said!

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            • AuntDaisy
              Host
              • Jun 2018
              • 1621

              #7
              Originally posted by MickyD View Post
              Thanks folks, I didn't know this had already been staged...I caught it on Tuesday night, a live transmission as part of France's Fête de la Musique célébrations. Must try and watch again to hear what Minkowski said!
              It's a wonderful performance - thanks for pointing it out.
              My schoolboy French failed miserably with Minkowski's post-frog comments

              Doing my homework & listening to the 2010 EMS on Platee - with Minkowski.

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              • Nick Armstrong
                Host
                • Nov 2010
                • 26523

                #8
                Originally posted by RichardB View Post
                That production has been around for a while. It was released on DVD in 2002 with Paul Agnew in the title role.

                Yes, we went to see it (in Ghent, I think) - absolute hoot and one of my opera-going highlights
                "...the isle is full of noises,
                Sounds and sweet airs, that give delight and hurt not.
                Sometimes a thousand twangling instruments
                Will hum about mine ears, and sometime voices..."

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                • LHC
                  Full Member
                  • Jan 2011
                  • 1555

                  #9
                  I saw Platee when the Royal Opera performed it at the Barbican in 1997 with Jean-Paul Fouchécourt as Platee. A different production from the Paris Opera's (by Mark Morris rather than Laurent Pelly), but also very funny.



                  Its a wonderful piece, and its a shame its not been revived.
                  "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                  Lady Bracknell The importance of Being Earnest

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                  • Maclintick
                    Full Member
                    • Jan 2012
                    • 1065

                    #10
                    Originally posted by Nick Armstrong View Post
                    absolute hoot and one of my opera-going highlights
                    One of mine too -- a real treat for aficionados of operatic amphibians. Like LHC I saw it in the Mark Morris-directed ROH production at the Barbican Theatre, a comic tour-de-force from Fouchécourt as the lovelorn frog & a terrific supporting cast -- can it really be 25 years ago ?!
                    Last edited by Maclintick; 23-06-22, 17:29. Reason: more up-to-date, threadwise

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                    • MickyD
                      Full Member
                      • Nov 2010
                      • 4748

                      #11
                      I first saw it in the early 1980s at Sadler's Wells as part of the English Bach Festival, with Jean-Claude Malgloire conducting. But a much more restrained HIP production ! Malgloire went on to record it for CBS a few years later, but it was quickly eclipsed by the Minkowski recording. Just recently there's been a new recording from Christie, which I have yet to hear.
                      I first heard excerpts of the piece when I attended evening classes on Rameau's opéras given by Nicholas Anderson - the only recording then was the very first by Hans Rosbaud.

                      I love the music, but still find the cruelty within the plot rather unsettling.

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                      • RichardB
                        Banned
                        • Nov 2021
                        • 2170

                        #12
                        Originally posted by MickyD View Post
                        I love the music, but still find the cruelty within the plot rather unsettling.
                        Agreed. It's one of Rameau's most "unenlightenment" works, in comparison with Les indes galantes or Zoroastre.

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                        • Maclintick
                          Full Member
                          • Jan 2012
                          • 1065

                          #13
                          Originally posted by MickyD View Post
                          I love the music, but still find the cruelty within the plot rather unsettling.
                          Cruelty in opera -- surely not !! By comparison with late 19th & early 20th cent norms -- Wagner, Verdi, Puccini, Janacek inter alia -- Platée seems innocuous. I'm with Jonathan Cross here, who argued in a polemical article "Firing the Canon" in Opera magazine that "women as eternal victims" misogynist baggage should be left on the conveyor-belt of history.... & Rousseau was a great admirer of Platée, by the way.

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                          • RichardB
                            Banned
                            • Nov 2021
                            • 2170

                            #14
                            Originally posted by Maclintick View Post
                            Rousseau was a great admirer of Platée, by the way.
                            Rousseau wasn't exactly woke when it came to extending his views on equality to include that between men and women, was he? I wish the plot of Platée (such as it is!) didn't hinge so centrally on denigrating its unprepossessing title character, whatever their gender. At the present moment in history, sensitivities to such things are high because there are still issues in society over misogyny (not to mention other kinds of inequality) which are not progressing towards justice - indeed, as we see in the US Supreme Court, things are in some parts of the world regressing in an alarming way. If and when all of that is overcome, it will be possible to see something like Platée as harmless, but at the moment it's difficult I think to defend its victim-shaming, however beautiful and inventive the music. As with Wagner, it's complex. I haven't read Jonathan Cross's article but I suspect I wouldn't agree with much of it!

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                            • MickyD
                              Full Member
                              • Nov 2010
                              • 4748

                              #15
                              It's true that some operas show cruelty, but normally for reasons of love, hate, jealousy etc. I'm not saying those actions are justified in any way, but one can maybe understand the circumstances that lead to them. What sets Platee apart for me is that the cruelty is purely gratuitous bullying just because the character is ugly and thus made a figure of fun. I find that very uncomfortable.

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