I appreciate, whether its a disaster or not depends how one approaches booking. Its easier for me, I'm not much interested in Ballet, nor rehearsals/other events, so its mainly Main Stage and Linbury (and only some of the things on at Linbury) and I can use the filters.
For myself, its always been something of a logistical exercise. Q1 - what am I interested to see - Work, conductor, performers (?does producer deter) etc. Once I've identified those - and often different cast members narrow down dates - I have to rule out dates I'm not free to go. After that I rank the remaining dates in order of preference (all of this with pencil, paper, eraser one sheet per production). Then as the moment of booking opens,the sheets and dates have been ranked in order of those productions likely to sell fastest.
These aspects have always been the same in internet booking. As opposed to postal booking I don't have to take the chance of when my application is pulled off the pile of papers. It may prove to be the case that research for me might be a bit harder prior to booking opening. But the main concern is navigating from one production to another and then into individual performances to buy the tickets. My dummy run should help.
However, I suppose I should leave my input here for the moment. I'm looking at making it work for me, perhaps I'm conditioned by the BBC - once they have decided on something, we can forget about complaining as it makes no difference. Let's hope the ROH will be more responsive and add some features that give others what they want to see.
For myself, its always been something of a logistical exercise. Q1 - what am I interested to see - Work, conductor, performers (?does producer deter) etc. Once I've identified those - and often different cast members narrow down dates - I have to rule out dates I'm not free to go. After that I rank the remaining dates in order of preference (all of this with pencil, paper, eraser one sheet per production). Then as the moment of booking opens,the sheets and dates have been ranked in order of those productions likely to sell fastest.
These aspects have always been the same in internet booking. As opposed to postal booking I don't have to take the chance of when my application is pulled off the pile of papers. It may prove to be the case that research for me might be a bit harder prior to booking opening. But the main concern is navigating from one production to another and then into individual performances to buy the tickets. My dummy run should help.
However, I suppose I should leave my input here for the moment. I'm looking at making it work for me, perhaps I'm conditioned by the BBC - once they have decided on something, we can forget about complaining as it makes no difference. Let's hope the ROH will be more responsive and add some features that give others what they want to see.
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