The absolute priority here should surely be to end, once and for all, the assumption that some men should be able to get away for decades with using positions of power within the cultural world (to name only this) for the purposes of their own sexual gratification at the expense of young and vulnerable people. If some action like boycotting their recordings/concerts/operas/films/whatever brings that end one millimetre closer I would say this overrides any considerations of the artistic worth of those things. We shouldn't think of the "unfairness" of depriving ourselves of the pleasure of one among god knows how many Mahler recordings for example, but of the unfairness of the lives damaged by unscrupulous individuals (and indirectly by those who protect them).
As for "not hearing" Levine, Pickett or King on any of their recordings, that isn't only irrelevant but also actually untrue, in that all three have also appeared on recordings as instrumentalists.
As for "not hearing" Levine, Pickett or King on any of their recordings, that isn't only irrelevant but also actually untrue, in that all three have also appeared on recordings as instrumentalists.
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