Jonas Kaufmann double bill (documentary/ROH Otello) BBC4, 15.10.17

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  • Zucchini
    Guest
    • Nov 2010
    • 917

    Jonas Kaufmann double bill (documentary/ROH Otello) BBC4, 15.10.17

    reminder
  • Stanley Stewart
    Late Member
    • Nov 2010
    • 1071

    #2
    Jonas Kaufmann double bill, BBC4, tonight, 15th October

    HD recorder set for tonight's documentary, Jonas Kaufmann - Tenor
    for the Ages, BBC 4, 21.00hrs, followed by Kaufmann's Otello/Pappano
    at the ROH, 22.30 - 01.00hrs. The documentary follows Kaufmann
    through the first half of this year, taking in a Bayern Munich match, a residency
    at London's Barbican after a hiatus caused by vocal problems, and rehearsals
    for Covent Garden's Otello - an inviting appetiser for Otello, directed by
    Keith Warner. Disappointed by the late night scheduling as the early part of
    the evening has scheduled two repeat items.

    Comment

    • Pianorak
      Full Member
      • Nov 2010
      • 3128

      #3
      Thanks for the heads up, Stanley. Thank god This programme will be available shortly after broadcast
      My life, each morning when I dress, is four and twenty hours less. (J Richardson)

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      • gingerjon
        Full Member
        • Sep 2011
        • 165

        #4
        Thanks for the reminder.

        10.30pm is a bit of a brutal start time for an opera though! I'm also wincing at the official listing being "Kaufmann's Otello" ...
        The best music is the music that persuades us there is no other music in the world-- Alex Ross

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        • Cockney Sparrow
          Full Member
          • Jan 2014
          • 2294

          #5
          Originally posted by gingerjon View Post
          Thanks for the reminder.

          10.30pm is a bit of a brutal start time for an opera though! I'm also wincing at the official listing being "Kaufmann's Otello" ...
          I can only conclude its a real problem for the schedulers - I mean the former slot for new documentaries on non-rock non-pop (ok - let's just say classical music) at 7.30 on Friday being under enormous pressure - there must be so much demand for the repeats of "Top of the Pops" and "The Good Old days" (Friday 13th October).

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          • Stunsworth
            Full Member
            • Nov 2010
            • 1553

            #6
            I enjoyed that. What a likeable and down to earth chap he appears to be.
            Steve

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            • kernelbogey
              Full Member
              • Nov 2010
              • 5821

              #7
              Watching Act I. Superb direction and singing.

              Edit: added some thoughts on the other thread.
              Last edited by kernelbogey; 16-10-17, 00:15.

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              • DracoM
                Host
                • Mar 2007
                • 13000

                #8
                Saw him as Parsifal at the Met. He was the best thing by a mile. Production was drenched in blood, orchestra were ....erm.....a bit rough, but Kaufmann did his stuff.

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                • Dave2002
                  Full Member
                  • Dec 2010
                  • 18057

                  #9
                  Originally posted by Stunsworth View Post
                  I enjoyed that. What a likeable and down to earth chap he appears to be.
                  Absolutely, and he seems to be very skilled and musical also - which of course most of us knew.

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                  • Stanley Stewart
                    Late Member
                    • Nov 2010
                    • 1071

                    #10
                    A most absorbing documentary followed by a stunning production. Time to retire and will discuss in due course as I'm about set an overnight transfer from HD to a 240 mins DVD.
                    One to treasure!
                    Last edited by Stanley Stewart; 16-10-17, 00:26. Reason: late hour boob!

                    Comment

                    • kernelbogey
                      Full Member
                      • Nov 2010
                      • 5821

                      #11
                      Originally posted by Stanley Stewart View Post
                      A most absorbing documentary followed by a stunning production. Time to retire and will discuss in due course as I'm about set an overnight transfer from HD to a 240 mins DVD.
                      One to treasure!


                      I, too, will return to this.

                      Comment

                      • Stanfordian
                        Full Member
                        • Dec 2010
                        • 9339

                        #12
                        Originally posted by gingerjon View Post
                        Thanks for the reminder.

                        10.30pm is a bit of a brutal start time for an opera though! I'm also wincing at the official listing being "Kaufmann's Otello" ...
                        Hiya gingerjon,

                        The BBC showing an opera production. This is the BBC so please be thankful for small mercies!

                        Comment

                        • Stanley Stewart
                          Late Member
                          • Nov 2010
                          • 1071

                          #13
                          Kept right on to the end of the road in the witching hours of the morning; quickly fell asleep after a short period of reminiscence. Retired after checking that an overnight transfer from HD to DVD was underway, always relieved to know that I have a separate 'finalised' DVD as a master copy if my HD recordings disappear into cyberspace! I'm convinced that the Kaufmann documentary and ROH Otello will be collector's items of value. The digital age has enormously advanced production standards; no more bumping and clatter which used to follow the tedious
                          process of closed traverse curtains, even scenic changes follow smoothly; the craft of lighting almost an art in itself. Enhanced picture and sound adds enormously to TV viewing.

                          I warmed to the documentary and was charmed by Jonas Kaufmann's lack of pretence or
                          affectation. Quietly confident of his worth, intelligent in discourse, capable of a twinkle in the eye. A gift for any MD or Stage Director. His vocal problems for several months must have been a matter of extreme concern. Shrewd, too, to tackle Otello in his forties for he is likely to be in demand for at least the next 20 years. If I have one caveat about his Otello, it didn't arise until his final scene when, possibly, exhaustion prevented him from tapping into the delirium of a character predisposed to murder his wife. Made me wonder whether he discussed these aspects with Keith West! I also remembered seeing Charles Craig, Sadler's Wells Italianate!, as Otello, delivering a natural dignity and probity to the role, circa 1982, a touching contrast with
                          Rosalind Plowright, a young Desdemona, of grace and pliancy,with Neil Howlett's Iago
                          chillingly convincing. A surprise 'hit' for ENO in an era of draconian cuts, yet still vivid in
                          my memory.

                          Comment

                          • alywin
                            Full Member
                            • Apr 2011
                            • 376

                            #14
                            Originally posted by Stanley Stewart View Post
                            Retired after checking that an overnight transfer from HD to DVD was underway, always relieved to know that I have a separate 'finalised' DVD as a master copy if my HD recordings disappear into cyberspace!
                            Quite. Can I ask what your equipment is, Stanley, maybe by PM if you don't want to clog up here? I may need something new myself.

                            Comment

                            • DracoM
                              Host
                              • Mar 2007
                              • 13000

                              #15
                              Tiny bit weird was that the BBC ran Otello twice in less than four days - one on TV, one on R3.

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