A Night at the Opera

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  • Il Grande Inquisitor
    Full Member
    • Mar 2007
    • 961

    A Night at the Opera

    I couldn't find a suitable thread to post about recent operatic visits/ news of current productions, so thought a general opera thread would be a good idea.

    It's been a busy week for me - four operas in three days in London - and after a disappointing Boccanegra at ENO on Wednesday, it just got better and better. Plenty of writing to get done as well:

    Wednesday: Simon Boccanegra at ENO

    Thursday: Rita & Iolanta at Guildhall

    Friday: L'amico Fritz at Holland Park

    Was anyone else at these/ planning on going in the coming weeks?
    Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    #2
    I was really looking forward to Opera North's Das Rheingold, only to discover that it is to be a concert performance. You could argue that it's better than nothing, but I would rather listen to a well-produced audio recording, where it's possible to imagine the characters on stage. Staring at a bunch of soloists, standing in front of an orchestra, is not my idea of a night at the opera.

    Comment

    • Il Grande Inquisitor
      Full Member
      • Mar 2007
      • 961

      #3
      Originally posted by Eine Alpensinfonie View Post
      Staring at a bunch of soloists, standing in front of an orchestra, is not my idea of a night at the opera.
      I'd generally agree. Sometimes a concert staging is the only viable means of presenting a rare opera (such as Chelsea Opera Group does) which might not otherwise get a production. Although that's what I love about Opera Holland Park - putting on rarities: where else this season would you get to see L'amico Fritz or La Wally? (Or Francesca da Rimini or La Gioconda in previous years)
      Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

      Comment

      • Mahlerei

        #4
        Is the ENO Boccanegra still that risible production with the giant hand suspended like the Sword of Damocles over the singers? I wasn't the only one sniggering that night.

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        • Il Grande Inquisitor
          Full Member
          • Mar 2007
          • 961

          #5
          No, it's a new production by Dmitri Tcherniakov. I didn't see the previous ENO production, by David Alden, but one prominent critic told me in the interval that he almost wished for something like that giant hand to liven things up as the production was so devoid of ideas. I found the prologue quite effective, but after that...
          Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

          Comment

          • verismissimo
            Full Member
            • Nov 2010
            • 2957

            #6
            Looking forward to Rinaldo at Glyndebourne.

            Interested in your take on Fritz, Grand One. Don't think I can get to it.

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            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20575

              #7
              Originally posted by Il Grande Inquisitor View Post
              where else this season would you get to see L'amico Fritz or La Wally? (Or Francesca da Rimini or La Gioconda in previous years)
              Opera North did stage Francesca da Rimini at Leeds Grand Threatre fairly recently. The all-black costumes worn by the cast (used again and again in different ON productions) seemed quite appropriate here. I just couldn't work out why they were wandering around Hell with leather suitcases.

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              • verismissimo
                Full Member
                • Nov 2010
                • 2957

                #8
                Originally posted by Eine Alpensinfonie View Post
                I just couldn't work out why they were wandering around Hell with leather suitcases.
                That would be the producer's brilliant "concept", Alpen. :)

                Comment

                • verismissimo
                  Full Member
                  • Nov 2010
                  • 2957

                  #9
                  Listening to the Mackerras recording of Jenufa provoked the thought that reasonably well-chosen recordings nearly always delight, whereas being in the opera house is such a hit-and-miss affair. At it's best, sublime, but so often I feel the need to close my eyes to escape from the production or the inadequate acting.

                  In a way that's like listening to a recording, but a lot more expensive.

                  Comment

                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20575

                    #10
                    I always find visits to the opera house to be very exciting. But opera DVDs are generally a disappointment.

                    Comment

                    • Il Grande Inquisitor
                      Full Member
                      • Mar 2007
                      • 961

                      #11
                      Originally posted by Eine Alpensinfonie View Post
                      I was really looking forward to Opera North's Das Rheingold, only to discover that it is to be a concert performance.
                      Richard Farnes, ON conductor, has just said on R3 that the reason for the concert performances was that the pit in their theatre in Leeds isn't big enough to accommodate the size of orchestra needed for Rheingold. I know at the ROH they had to remove stalls circle seats to house the six harps plus extra brass.
                      Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

                      Comment

                      • Il Grande Inquisitor
                        Full Member
                        • Mar 2007
                        • 961

                        #12
                        Massent's Cendrillon at the Royal Opera House... recommended!

                        Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

                        Comment

                        • Il Grande Inquisitor
                          Full Member
                          • Mar 2007
                          • 961

                          #13
                          Was anyone else at Holland Park for the opening night of Catalani's La Wally? Famous for the heroine's aria ‘Ebben… ne andrò lontana’, there are several other good things about the score. Is it the problem of staging an avalanche that puts directors off?

                          Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

                          Comment

                          • Mahlerei

                            #14
                            There's a wonderfully atmospherIc French film, Diva, that centres on an illegal recording of a famous diva She sings that aria from La Wally. Good fun.

                            Fernandez sings the aria "Ebben? Ne andrò lontana", from Act I of Catalani's opera "La Wally." The piece is a haunting reverie on the theme of traveling alon...

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                            • french frank
                              Administrator/Moderator
                              • Feb 2007
                              • 30507

                              #15
                              Originally posted by Mahlerei View Post
                              There's a wonderfully atmospherIc French film, Diva, that centres on an illegal recording of a famous diva She sings that aria from La Wally. Good fun.

                              http://www.youtube.com/watch?v=2hsmoo97CVA
                              Not quite the tomboy of IGI's review!

                              Very educational, this forum - keep the reviews coming, IGI!

                              I thought of starting a thread on the 'alternative operas' - named after the one aria that's ever heard, like Charpentier's opera Depuis le jour ...
                              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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