Mander and Fry - The Life To Come

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  • Lat-Literal
    Guest
    • Aug 2015
    • 6983

    Mander and Fry - The Life To Come

    Has anyone listened to it and, if so, what did you think? It appears that Surrey Opera are currently in rehearsals for it.

    Not sure where or when it is likely to be performed. Probably Trinity School unfortunately - or somewhere else far flung.
  • vinteuil
    Full Member
    • Nov 2010
    • 12672

    #2
    ..


    ... it's probably not far-flung for those living in RH1 1NN.


    Surrey Opera premieres The Life to Come , an Opera in Two Acts.  Music by Louis Mander & Libretto by Stephen Fry .   The long awaited world premiere of the opera based on a short story by celebrated British novelist and essayist EM Forster. Libretto by actor and writer Steph


    .

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    • Lat-Literal
      Guest
      • Aug 2015
      • 6983

      #3
      Originally posted by vinteuil View Post
      ..


      ... it's probably not far-flung for those living in RH1 1NN.


      Surrey Opera premieres The Life to Come , an Opera in Two Acts.  Music by Louis Mander & Libretto by Stephen Fry .   The long awaited world premiere of the opera based on a short story by celebrated British novelist and essayist EM Forster. Libretto by actor and writer Steph


      .
      Ohhhhh.......how interesting.

      That is considerably better than anything I had anticipated.

      What about the music itself?

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37330

        #4
        Originally posted by Lat-Literal View Post
        Ohhhhh.......how interesting.

        That is considerably better than anything I had anticipated.

        What about the music itself?
        Not sure how representive the below is of the composer's harmonic language, which is very redolent of many a middle-of-the-road English composer writing chamber music in the 1930s, or maybe sticking to his guns against the outrage of serialism and atonality in general in the 1950s:

        World premiere performanceSonata for Violin & Piano (Louis Mander b. 1984)i. Moderato e decisoii. Aria: adagioiii. Finale: allegretto e soaveJohn Garner - vi...

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        • Lat-Literal
          Guest
          • Aug 2015
          • 6983

          #5
          Originally posted by Serial_Apologist View Post
          Not sure how representive the below is of the composer's harmonic language, which is very redolent of many a middle-of-the-road English composer writing chamber music in the 1930s, or maybe sticking to his guns against the outrage of serialism and atonality in general in the 1950s:

          https://www.youtube.com/watch?v=PvoC3izgsy4
          Thank you.

          It isn't what I was expecting.

          I suppose I would say it is ok.

          But an opera would presumably be quite different.

          Comment

          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37330

            #6
            Originally posted by Lat-Literal View Post
            Thank you.

            It isn't what I was expecting.

            I suppose I would say it is ok.

            But an opera would presumably be quite different.
            How could one say? Whether that would matter or not might depend on whether or not the listener wants consistency.

            Comment

            • Lat-Literal
              Guest
              • Aug 2015
              • 6983

              #7
              Originally posted by Serial_Apologist View Post
              How could one say? Whether that would matter or not might depend on whether or not the listener wants consistency.
              Yes.

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