I think Opolais has to be the greatest dramatic soprano of the moment.
I saw her sing Tosca in a semi-staged concert performance at Llangollen Eisteddfod on Tuesday night: her acting was sensational(bear in mind this is a role where acting is arguably more important than singing) and she sounded totally assured and inside the role. Not a cliched performance, either - she'd obviously done her own thinking about the role.
She's also the only Manon Lescaut I've seen who could convince as a teenager (even though she was in her mid-thirties at the time).
She is singing Elsa in Lohengrin at Covent Garden next year (will this be her first Wagner role?): that will definitely be a performance to catch!
I saw her sing Tosca in a semi-staged concert performance at Llangollen Eisteddfod on Tuesday night: her acting was sensational(bear in mind this is a role where acting is arguably more important than singing) and she sounded totally assured and inside the role. Not a cliched performance, either - she'd obviously done her own thinking about the role.
She's also the only Manon Lescaut I've seen who could convince as a teenager (even though she was in her mid-thirties at the time).
She is singing Elsa in Lohengrin at Covent Garden next year (will this be her first Wagner role?): that will definitely be a performance to catch!
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