Fascinating review. So far I've only dipped in, preparing to watch on a wet day. Gunther (to start with) channeling the Fonz from Happy Days, or possibly John Travolta in Grease.
2016 Bayreuth Ring on Sky Arts
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Richard Tarleton
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Possibly, I suppose, but I have the feeling not.
People have mentioned the TV direction. The camera angles for the death of Siegfried were especially unfortunate, though again, that could have been deliberate, given the rest of the nonsense: Hagen learns that Siegfried can be killed only by a stab in the back, so naturally he whacks him over the head with a baseball bat. Or doesn't. But he conveniently dies anyway, the obliging chap.
Ah - solo calls at last. No sign of Castorf and the rest of the production team, though.Last edited by Bert Coules; 31-07-16, 20:43.
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Exactly: how the heck any incoming Wagnerian-wannabe could get any sense of the huge legend/mythology/roots culture behind Wagner's project utterly defeats me. In an age in which Game of Thrones has gone global, Tolkien Hobbitry pervasive and Harry Pottery, the depths of this productions misjudgement of where the next generation of culture vultures are likely to be eagerly looking for sustenance truly blows the mind. It was a production stuck fast in the tinselly, instant obsolescence trash of the 1950s in every way and what on earth [literally] it could speak to in our day eludes me.
Yes, do archive it of course, but as a production to stir the soul, ignite a lifelong passion..........erm......I think not.
Thank God for Kirill Petrenko, I say.
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Originally posted by DracoM View PostExactly: how the heck any incoming Wagnerian-wannabe could get any sense of the huge legend/mythology/roots culture behind Wagner's project utterly defeats me. In an age in which Game of Thrones has gone global, Tolkien Hobbitry pervasive and Harry Pottery, the depths of this productions misjudgement of where the next generation of culture vultures are likely to be eagerly looking for sustenance truly blows the mind. It was a production stuck fast in the tinselly, instant obsolescence trash of the 1950s in every way and what on earth [literally] it could speak to in our day eludes me.
Yes, do archive it of course, but as a production to stir the soul, ignite a lifelong passion..........erm......I think not.
Thank God for Kirill Petrenko, I say.
Ironically, Janowski usually refuses offers to perform in opera houses as he hates modernist productions, and will normally only conduct operas in concert performances (when Jennifer Ann Wilson was asked to withdraw from the part of Sieglinde this year, he told her that he no longer conducts staged opera because he hates the productions).
I understand he agreed to conduct the ring in 2016 and 2017 because he wanted to conduct at Bayreuth, and for no other reason. I can only imagine what his views on the 'Castorf' Ring might be."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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It's a shame in many ways that the Seattle Ring - which was very firmly traditional and, by all accounts, extremely successful - was never filmed. It almost happened, apparently, but fell through. And even more sadly it's never going to be revived, if reports are true.
Picture (c) Seattle Opera, no infringement intended
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Originally posted by Bert Coules View PostIt's a shame in many ways that the Seattle Ring - which was very firmly traditional and, by all accounts, extremely successful - was never filmed. It almost happened, apparently, but fell through. And even more sadly it's never going to be revived, if reports are true.
Picture (c) Seattle Opera, no infringement intended
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