Originally posted by jonfan
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Opera North: Ring
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Originally posted by Bert Coules View PostThe projection screens wouldn't really work at the Albert Hall, at least not for a large part of the audience, so it would have to be a concert version of a semi-concert version...
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Originally posted by Bert Coules View PostThe projection screens wouldn't really work at the Albert Hall, at least not for a large part of the audience, so it would have to be a concert version of a semi-concert version...
Please explain about the projection screens not being suitable for the RAH.
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Originally posted by Stanfordian View Post... projection screens not being suitable for the RAH.
The reasons are roughly the same as those which explain the RAH being the only major venue at which surtitles are never provided. [These would have once again been a great help at Boris Godunov a few days ago IMO - having to keep looking down at a printed libretto just distracts from absorption in what's going on on stage]. This is despite the BBC persisting with the very large "multi-function laser display" (though not, yet, Colin Sell at the piano...) ranged along the back of the stage which probably could display text, especially as it seems to have been upgraded to higher resolution this year.
The problems include both the circular shape and great height of the venue. These mean that wherever you put screens, a very large proportion of the audience will be at an angle from which they are distorted, obscured or invisible. Of the remainder, many will be so far away as to nullify the visual impact and render the text elements illegible. Patrons reportedly had problems reading the surtitles even at the RFH - which is tiny by comparison.
In short, the venue is the wrong shape and far too big.
None of this is to argue against the idea of bringing the cycle, with adaptations to the visual elements, to the Proms if this were a possibility. It may be heresy but (scale of sense of occasion aside) I found it significantly more satisfying than the altogether more starry Barenboim Proms cycle, mainly due to the acoustics of The Sage being about 1000% more sympathetic and Richard Farnes' conducting being more my cup of tea. The Proms I've attended so far this year have rather paled by comparison with the recent week in Gateshead...
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Originally posted by Belgrove View Post[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by jonfan View PostThe quality of the performance and engineering from Sage Gateshead was worthy of issuing on CDs IMO. I wonder if that is a possibility. It would be great to have that as a permanent record of Richard Farne's and Opera North's stupendous achievement.
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Originally posted by Bert Coules View PostIs that the, er, prelude to a broadcast of the entire Ring? Splendid, if so, as long as the TV direction is sympatheic to the staging.Last edited by ferneyhoughgeliebte; 11-01-17, 23:34.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostSadly not, I think, Bert - only Rheingold is appearing on BBC telly; everything else available only via the Beeb's Arts Online streaming. I think that this is whatever future for "televised" operas there's going to be.
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