That performance was absolutely magnificent - I cannot recommend it highly enough. Excellent sound balance as well. If any forum members were in the RFH I envy you....
Jenufa live Radio Three
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Originally posted by Il Grande Inquisitor View PostKarita Mattila made a huge impression as the Kostelnička. A very powerful performance all round.
https://bachtrack.com/review-jenufa-...don-april-2016
Lovely review, as usual, IGI - thanks.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostPIcture not Bělohlávek though ??
Lovely review, as usual, IGI - thanks.
More than a century after it was premiered, Janáček’s great opera Jenůfa still has the power to scald and shock.
It's a shock to see Belohlavek without his trademark hair. One hopes there aren't any health issues related to it. OTOH, he is 70 this year, so....
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If anyone wants to plan ahead for opera streaming this weekend, San Francisco Opera is offering a 2016 video of their production of Jenufa this Saturday, with JB conducting and KM as the Kostelnička. General announcement about San Francisco Opera's video offerings for this month is at:
The time availability translates to the UK as follows, if I have it correct:
Start time: Sat. 10 July 2021, 6 PM
End time: Mon. 12 July 2021, 7:59 AM
You have to hand over your e-mail address to San Francisco Opera as the "price of admission", perhaps stating the obvious.
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Originally posted by bluestateprommer View PostIf anyone wants to plan ahead for opera streaming this weekend, San Francisco Opera is offering a 2016 video of their production of Jenufa this Saturday, with JB conducting and KM as the Kostelnička. General announcement about San Francisco Opera's video offerings for this month is at:
The time availability translates to the UK as follows, if I have it correct:
Start time: Sat. 10 July 2021, 6 PM
End time: Mon. 12 July 2021, 7:59 AM
You have to hand over your e-mail address to San Francisco Opera as the "price of admission", perhaps stating the obvious.
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I’m actually going to the Opera House to see this tomorrow, so am pleased tomorrow’s video relay will also be available for a month on YouTube, so I’ll be able to watch it again."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Ah, if we'd both worn a rose and carried an FT we could have waved at each other! I love Janacek's operas, I luxuriate in the lush score for the orchestra and the exquisite pain of watching the psychodrama unfold. I'd seen the five-star reviews for this production but I didn't expect it to be as sensational as it was. Grigorian has a gorgeous clear voice, and Mattila nailed her arias not just musically but with real passion. She must have the lungs of an ox! I was glad to see the warmth and enthusiasm of the audience at the end -- I think the cast were quite affected (though probably had the same for previous performances).
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Originally posted by LHC View PostI’m actually going to the Opera House to see this tomorrow, so am pleased tomorrow’s video relay will also be available for a month on YouTube, so I’ll be able to watch it again.
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Originally posted by makropulos View PostHope you enjoyed it as much as I did (in spite of reservations about the look of the production). It was recorded for Radio 3 last night too –going out on 23 October.
My first Jenufa was the Lyubimov production at Covent Garden when it was new in 1986, which was also very powerful and quite unlike anything else I had seen before. Its probably 15 years since I last saw it (Amanda Roocroft in David Alden's production for ENO), but its amazing how quickly you get back into Janacek's unique soundworld.
I did find it amusing to think as I was reading the programme on the way home, that my day had started with listening to your BAL on the Merry Widow, and ended with reading your programme note on Jenufa."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by Lancashire Lass View PostAh, if we'd both worn a rose and carried an FT we could have waved at each other! I love Janacek's operas, I luxuriate in the lush score for the orchestra and the exquisite pain of watching the psychodrama unfold. I'd seen the five-star reviews for this production but I didn't expect it to be as sensational as it was. Grigorian has a gorgeous clear voice, and Mattila nailed her arias not just musically but with real passion. She must have the lungs of an ox! I was glad to see the warmth and enthusiasm of the audience at the end -- I think the cast were quite affected (though probably had the same for previous performances)."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by LHC View PostVery much so; indeed, I found it quite overwhelming, and Mattila and Grigorian were both sensational. I enjoyed the production more than I thought I would having seen some of the reviews.
My first Jenufa was the Lyubimov production at Covent Garden when it was new in 1986, which was also very powerful and quite unlike anything else I had seen before. Its probably 15 years since I last saw it (Amanda Roocroft in David Alden's production for ENO), but its amazing how quickly you get back into Janacek's unique soundworld.
I did find it amusing to think as I was reading the programme on the way home, that my day had started with listening to your BAL on the Merry Widow, and ended with reading your programme note on Jenufa.
My first Jenufas came just before yours: 1. Pountney's for WNO in about 1975 (on tour in Manchester) with Josephine Barstow, Pauline Tinsley et al with Richard Armstrong conducting. 2. At about the same time I saw the pre-Lyubimov ROH one (tidied up by Pountney again), with Wendy Fine and Amy Shuard, conducted by Charles Mackerras. Both were wonderful –a pretty stunning introduction to this glorious opera. Some terrific ones since, including Glyndebourne which knocked me sideways (in a good way).
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