Ravishing orchestral sounds and a great chorus. Delightfully well-behaved audience refraining from clapping at every opportunity unlike the Met. But the soloists....why is it that so many female opera singers sound so rough? Too much vibrato for my ears. The men weren't that brilliant either. Had I spent good money and gone there then I think I'd have been even more grumpy.
Cav and Pag from ROH - Sat 6th opera
Collapse
X
-
Originally posted by Anastasius View PostBut the soloists....why is it that so many female opera singers sound so rough? Too much vibrato for my ears.
Our dear and lately-departed member gamba (he died aged 92 last year and was posting almost to the end ) started a most relevant thread about this, to be found here:
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
-
-
Originally posted by Anastasius View PostRavishing orchestral sounds and a great chorus. Delightfully well-behaved audience refraining from clapping at every opportunity unlike the Met. But the soloists....why is it that so many female opera singers sound so rough? Too much vibrato for my ears. The men weren't that brilliant either. Had I spent good money and gone there then I think I'd have been even more grumpy.
Comment
-
-
Originally posted by makropulos View PostChorus and orchestra - yes, absolutely. But I'm a bit surprised to hear you say that about the female soloists - I've not heard the broadcast yet, but the night I saw the show in the theatre, Eva-Maria Westbroek certainly didn't sound "rough", and was a very compelling presence on stage too. The men - particularly Antonenko - I'd probably agree with you. But as for spending good money, I've no regrets at all: it was a production that was well worth seeing, and was extremely effective in the theatre.
Comment
-
-
Originally posted by Anastasius View PostMy thoughts are that when seen on stage there are so many other delights that one is seeing the overall package, as it were, and so perhaps one is more forgiving of a bad singer.
Comment
-
-
Originally posted by underthecountertenor View PostNot only that, but the singers are (or should be) singing to, and for, the auditorium, not the microphones (which can, like cameras, lie - or at least tell an unfairly brutal truth). I rarely listen to radio broadcasts of opera for this very reason.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
Comment