Yes, Radio 4, I know, but worth a listen.
Pappano on Cavalleria Rusticana - Radio 4
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Originally posted by Simon Biazeck View PostYes, Radio 4, I know, but worth a listen.
What one can say is that this gets out to a wider audience than it would have done on Radio 3. But why does Radio 3 not have similar features which are a grade up on this? Why, instead, programmes playing the Dambusters March, the Warsaw Concerto and music from the Lord of the Rings, Saving Private Ryan and My Beautiful Laundrette?
Sorry, SB, ignore - a good programme, as is anything that involves Pappano … (I'm sure he can find illuminating things to say even about Cavalleria Rusticana).It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Richard Tarleton
Originally posted by french frank View Post(I'm sure he can find illuminating things to say even about Cavalleria Rusticana).
Are you in both parts, Simon?
I've only seen one live Cav&Pag, the WNO's splendid 1990s one designed by Elijah Moshinsky, but love them both, if that's the right word for such unpleasant tales.
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Simon Biazeck
Actually, as a lowly extra chorister, I am not involved at all! Just love Pappano's never dumbed down enthusiasm. I have plenty to do in the rest of season!
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Simon Biazeck
Radio 3 seem frightened of frightening people with undiluted, total immersion Classical music, when, in my view, that's the best way in. It was mine. Pappano presents it brilliantly, as always.
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Originally posted by Simon Biazeck View PostRadio 3 seem frightened of frightening people with undiluted, total immersion Classical music, when, in my view, that's the best way in. It was mine. Pappano presents it brilliantly, as always.
Not being a jazz fan I probably couldn't cope with two hours of this - but potentially much more 'R3' than two hours of some celebrity playing 'My kinda music'.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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I've been reading comments like some of these ever since the dumbing down of R3 started in earnest; there are at least three recently in progress on these message boards. I do sympathise, but I'd like to bet that, like me, most of the people complaining are either graduates or the intellectual equivalent thereof? Well, that puts you in the top 5% or so of the ability range. I too crave my fix of analysis and criticism, but what about the other 95% of Joe Public? Is R3 not for them?
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Originally posted by grandchant View PostI've been reading comments like some of these ever since the dumbing down of R3 started in earnest; there are at least three recently in progress on these message boards. I do sympathise, but I'd like to bet that, like me, most of the people complaining are either graduates or the intellectual equivalent thereof? Well, that puts you in the top 5% or so of the ability range. I too crave my fix of analysis and criticism, but what about the other 95% of Joe Public? Is R3 not for them?
Graduates now make up getting on for 40% of the population.
This Page is [ARCHIVED CONTENT] and shows what the site page http://www.ons.gov.uk/ons/dcp171776_337841.pdf looked like on 5 Jan 2016 at 16:07:09
Despite the efforts of the BBC to make R3 more inviting for a larger number of listeners, that invitation has not been accepted: RAJAR figures year after year show annual listening figures for R3 to be declining, not increasing. The aim of getting more people to listen to R3 is commendable - the methods to secure this aim is a failure.
And ... well, the Pappano programme was on R4, as was the Stockhausen in Huddersfield documentary, which suggests that there is an audience which might be interested in R3's "wares", but who wouldn't be attracted by the presentation style that, it was decided, would attract them over to R3 itself.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostA couple of points, grandchant:
Graduates now make up getting on for 40% of the population.
This Page is [ARCHIVED CONTENT] and shows what the site page http://www.ons.gov.uk/ons/dcp171776_337841.pdf looked like on 5 Jan 2016 at 16:07:09
Despite the efforts of the BBC to make R3 more inviting for a larger number of listeners, that invitation has not been accepted: RAJAR figures year after year show annual listening figures for R3 to be declining, not increasing. The aim of getting more people to listen to R3 is commendable - the methods to secure this aim is a failure.
And ... well, the Pappano programme was on R4, as was the Stockhausen in Huddersfield documentary, which suggests that there is an audience which might be interested in R3's "wares", but who wouldn't be attracted by the presentation style that, it was decided, would attract them over to R3 itself.
Soul Music ( when dealing with classical pieces although including a lot of reminiscences also includes commonly some interesting musical analysis )
It seems that much of the interesting stuff is now on 4 rather than 3 .
Pappano's programmes are accessible yet intelligent . They seem to sum up that line that broadcasters should never overestimate what the audience knows or underestimate their intelligence .
A friend of mine who I did not think was the slightest bit interested in classical music has just borrowed the Ferrier/Boult Bach and Handel arias off me after catching the mezzo soprano programme by chance .
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Originally posted by grandchant View Postbut what about the other 95% of Joe Public? Is R3 not for them?
As ferney has pointed out: look at the RAJAR figures, in spite of what you yourself describe as 'dumbing down'. And look at the evidence that the BBC puts such programmes as they think will interest 'Joe Public' on Radio 4. If 'Joe Public' declines to listen to Radio 3, that ought to release Radio 3 to be more 'analytical, critical, intellectual' - to which add 'experimental', 'risk-taking'.
A small audience is an enabling factor - enabling Radio 3 to stick to its original remit.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Roehre
Originally posted by ferneyhoughgeliebte View Post
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Originally posted by ferneyhoughgeliebte View PostThe aim of getting more people to listen to R3 is commendable
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Originally posted by Roehre View PostWhich is not too difficult to understand, most universities nowadays being more like Upgraded Primary Schools
(I don't need to add the , do I?)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by mercia View Postyes, out of interest are the listening figures for Radio 3 now the worst they have EVER been (including Third Programme period) ? or are listening figures unavailable for certain years to make a judgement on that ?
More recently, I do have figures which show the average weekly reach as over 3 million - again not comparable as in those days there were programmes like Test Match Special, and the rest of Saturday's sport.
The moment the figures are deemed roughly 'comparable' is the beginning of 1999 (Roger Wright became controller in Nov 1998!). The figure for that first quarter was 2.277m (I have a suspicion that was unrealistically high). Since then it it did go down to about 1.9m - 2m (as now), though it has dropped as low as 1.783m and risen to 2.29m - usually attributable to schedule changes, at least in some measure.
The figure that is rubbing along the bottom at 'lowest ever' is the percentage of the population listening, since the audience is now a good deal larger than in 1999 - so potentially there are more listeners. I think this is the figure which exercises BBC management. I.e.the population is bigger and if Radio 3 has to 'stoop to conquer' (or dumb down), that's what it must do.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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