A little different concert last night. Nicholas Kramer conducted a reduced ensemble. Amanda Forsyth and Aryeh Nussbaum Cohen sang several Handel arias. The second half was Beethoven Elegy Op. 118 with the CSO chorus-all 75 of them-and the Mozart Coronation Mass K.317.. The first half also featured the Suite #2 from the Water Music and the Arrival of the Queen of Sheba.
The reflective Beethoven was unknown to me, and I wasn’t very conversant with the Mozart, which sounds like WAM on autopilot until the magic happens in the concluding Agnus Dei.
This concert was HIPP oriented-vibrato was strictly verboten-so I was wondering if the Chorus outnumbering the orchestra in a 3:1 ratio was standard practice in the late 18th century?
The reflective Beethoven was unknown to me, and I wasn’t very conversant with the Mozart, which sounds like WAM on autopilot until the magic happens in the concluding Agnus Dei.
This concert was HIPP oriented-vibrato was strictly verboten-so I was wondering if the Chorus outnumbering the orchestra in a 3:1 ratio was standard practice in the late 18th century?
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